Invisible skateboards, Eric Koston, super duper slo mo, Brandon Biebel, Marc Johnson, Owen Wilson, Rick McCrank, The Skatetrix, Gino Iannucci, Mike Carroll, The Magic Board, Brian Anderson, and the entire Girl and Chocolate Skateboard teams are all part of Girl Skateboard Films’ fourth video feature, Yeah Right!

It is the summer of 1999 and what the Chocolate team thinks will be a normal skateboarding tour across the USA, turns into a race against time with a new set of rules… Brushes with the law, forgery and fraud are just a few of the startling mis-adventures the Chocolate Brotherhood have on their way to saving the only other family they’ve ever known – the Girl team. Armed with a healthy respect for their elders, and a strong sense of camaraderie, the Chocolate team faces the overwhelming responsibility of being the last hope for their Girl brothers… or are they?

Girl Skateboard's video Mouse starred Eric Koston, Tony Ferguson, Jeron Wilson, Mike Carroll, Rick Howard, Rudy Johnson, Guy Mariano, Sean Sheffey, Jovontae Turner and Tim Gavin and co-starred the Chocolate team.

Spanning the world, Digital's Get Tricks Or Die Trying video, hits spots from Finland to San Jose. As a skater owned and operated company, they are able to put out flicks that show what skateboarding is all about. This flick has a great vibe and amazing skating.

The first video from Girl Skateboards. Goldfish opens with a car chasing a skater down a series of hills. The skater sees a goldfish in a fishbowl in the street and rescues it. Features other skits and tricks.

As skateboarding begins to embrace the importance of it's own history, Plan B's second release, Virtual Reality, quickly establishes itself as one of skateboarding's most significant video productions of all time. Only one year after their inaugural release (Questionable Video 1992), Plan B stepped to the fold under the guidance of Mike Ternasky and convincingly shrugged off the sophomore video jinx. In today's massive era of skateboard prominence, Virtual Reality remains a flick that's just as significant for its representation of the period's for and style, as it is for the bar raising development and progression it depicts.