Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

Best friends Raja and Ramu decide to oppose the union leader of Raja's mill when he creates problems. However, they face several obstacles in their attempt to stop him.

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Mary, a nurse in a hospital, narrates the tale of how Mother Mary helped Kamakshi and her son Sundaram in Velankanni village and turned an atheist landlord to a believer by appearing before him.

Poverty-stricken Santhanam struggles to take care of his visually impaired brother. However, his life takes a turn after he comes across two women from different social backgrounds.

Raja returns from war only to learn that tragedy struck his family while he was away. He decides to help his son by leaving his village and seeking treatment for him.

The diwan of Vasanthapuri grows tyrannical and makes a deal with the Portuguese so that he can become the new king and marry the princess, who is in love with Bharath.

When a difficult man falls blind, he alienates his family and caretakers even further.

A scheming landlord tricks a kind-hearted Sethupathi into losing everything he owns. He then swears to become wealthy and reclaim his ancestral mansion at any cost.

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After a fight with her father on who her future husband should be, Nalina leaves home on the first night of Navaratri. For the next nine days, she experiences nine types of human behaviour.

Pazhani has two children — Chandiran and Meena. Meena is married. Chandiran loves Pankajam. His father and grandmother want him to marry a relative girl, Thangam, who is very helpful to the family. But Chandiran marries Pankajam defying them. Although brought in for comic relief, the ever-loveable J. P. Chandrababu and his milkman character became the real irresistible pull of this family melodrama. Director A. Bhimsingh—a rare talent to have successes in both South Indian and Hindi cinemas—masterfully blends lightness and pathos.

No synopsis available yet.