La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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A 1990 horror anthology series, with host Anthony Perkins presenting and screening tales based on Patricia Highsmith's short stories that display a sinister atmosphere, and delve into the darkest depths of human nature.

Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.

Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

The story of nine-year old Maria and her father Marcelino who, in 1879, found the first pre-historic cave paintings at the now world famous Altamira cave.

At seventy-five years old Ana Non closes the door behind her to undertake a fabulous journey: she goes, walking, to kiss her son in prison; journey to the north of Spain, journey of love and death, of initiation and knowledge.

In 1939, in a French prison camp, José Garcés of the defeated Spanish Republican army raises the spirits of his fellow prisoners by telling the story of the year he was 8 years old, 1911, in a small town in northeastern Spain. He was a rascal, baffling his father, always in trouble, and in love with Valentina, a neighbor girl. On his roof top at night he sends semaphore messages to her. He writes poems. He gets them into trouble, killing her father's breeding pigeons. When the two families camp at a decaying castle, his tutor, a sympathetic priest, tells him about the most valiant men, the saints, the heroes, and the poets. Already a poet, he learns a lesson about being a hero.

Following the dissolution of her 20-year marriage to a land developer, a middle-aged woman returns to her law practice and, plotting revenge, accepts as a client a young ecologist who has accused her ex-husband's company of corruption.

Diego is a doctor so used to working in extreme situations that he has immunized himself to others' pain. He has switched off from his work, his partner and his commitment as a father. Over the course of a disturbing meeting, Diego is threatened with a gun. Hours later, he can only remember the sound of a bang and the strange feeling of having being hit with something more than a bullet. Diego has to take an irreversible decision which will affect his own life and that of his loved ones.

With a prestigious job and a loving family, Emilio (José Coronado) has the kind of life someone would kill for. But beneath it all is a horrible lie. Emilio's wife, Ágata (Adriana Ozores), becomes suspicious when Emilio picks up a guest pass to enter the Bank of Spain -- where, ostensibly, he works as an economist. But the house of cards starts crashing down when Emilio meets a needy college student, Rosana (Marta Etura), and begins an affair that proves disastrous.

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

Arturo, a successful restaurateur, is having an affair with his kitchen assistant Cristal. When he doesn't keep his promise of leaving his wife Paz, Cristal plots to seduce his sweet, simple son Arturito in retaliation.

World War II provides the setting for a melodramatic tale of love and revenge.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.

In Madrid at the time of the Inquisition, the monk Ambrosio is renowned for his faith and his strength of will, a saint in the eyes of the populace. But when he discovers the beautiful Matilda hidden in his own monastery, all his repressed passions begin to show themselves, and he is soon using the girl, and her powers, in his lust for more innocent prey.

Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.

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