Children's drama series following the lives of students and teachers at Grange Hill comprehensive school.

Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.

Footballers' Wives is a British television drama surrounding the fictional Premier League Association football club Earls Park F.C., its players, and their wives. It was broadcast on the ITV network from 8 January 2002 to 14 April 2006. The show began with a multi-lateral focus on a variety of different types of relationships explored; however, from the third series onward, the primary focus was on a complex love triangle between Tanya Turner, Amber Gates and Conrad Gates.

After her father’s suicide, a young mother investigates what led to his death. But when she is haunted by spirits and unearths an unsolved mystery from 30 years ago, she discovers a dark family history that could prove deadly for her child.

A young English football player is transferred to a top Spanish team and finds that life there is not as easy as he expected.

Seven promotional films by Morrissey, released initially on VHS in 1990 and then on DVD in 2004. It was certified Gold by the RIAA on 18 January 1991. The title refers to Morrissey's childhood home in Hulme, Manchester. The L is silent, so it sounds like "humourist". The music videos: 1) The Last of the Famous International Playboys 2) Sister I'm a Poet 3) Everyday is Like Sunday 4) Interesting Drug 5) Suedehead 6) Ouija Board, Ouija Board 7) November Spawned a Monster

Eddie Luca is the youngest son in a family of Italian immigrants who has moved to London. Beginning from nowhere, they open a cafe in an Italian neighbourhood. One day their father loses the cafe, the home and his wedding ring by gambling.

Matthew is a boy who just left school. He is handsome and athletic and believes himself to be gay. He retains a friendship with only one school friend, Phil, who has stuck by Matthew despite hostile reactions from his peers. As their relationship grows more intense, Phil's girlfriend Sharon and his classmates become vindictive and aggressive. The two friends find themselves ostracized by both friends and family and decide to run away.

Louise is an alienated boarding school student in the midst of a hot and heavy affair with the husband of her headmistress, Veronica. Suspicion and passion hang in the air of the isolated campus until Matthew suddenly disappears. Fearing the worst, Louise struggles to uncover what happened to her lover but is foiled at every turn by Veronica, who begins to take a sadistic glee in the psychological torment she inflicts upon her. When a mysterious woman appears around the campus, Louise becomes convinced that she is being framed for the murder of Matthew, or even worse, being set up to be the next victim. Alone and friendless, Louise must keep herself alive long enough to uncover the truth of Matthew's disappearance.

'Look, I'm not being horrible or nothing, Sadie, but all you've got is a body. You've got to make the most of it. It's not enough just to like the idea of being a model. You've got to be businesslike about it.' How does 16-year-old Sadie react to her friend Mary's advice? Where - in the glamour model world - will she end up?