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The French conductor Emmanuelle Haïm conducts here her music ensemble Le Concert d'Astrée during this performance of Mozart's La Finta Giardiniera at the Opéra de Lille (France) on March 22nd and 25th 2014. This production, directed by David Lescot, stars a remarkable cast, with Erin Morley and Enea Scala in the roles of the Contino Belfiore and the Marchioness Violante Onesti.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.

The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the December 4 transmission, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego.

Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.

New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts.

In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.

Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.

A dream cast assembles for Strauss’s grand Viennese comedy. Soprano Lise Davidsen is the aging Marschallin, opposite mezzo-soprano Isabel Leonard as her lover Octavian and soprano Erin Morley as Sophie, the beautiful younger woman who steals his heart. Bass Günther Groissböck returns as the churlish Baron Ochs, and baritone Markus Brück is Sophie’s wealthy father, Faninal. Maestro Simone Young takes the Met podium to oversee Robert Carsen’s fin-de-siècle staging.

Anthony Dean Griffey creates a haunting portrait of the outcast fisherman who struggles under the burden of presumed guilt. This chilling production by Tony Award-winning director John Doyle also features the superb Patricia Racette as the sympathetic Ellen Orford and the Met chorus in a truly hair-raising performance as the oppressively judgmental fishing village.

After a celebrated career as a composer of lighthearted operetta, Jacques Offenbach turned his hand to more serious fare—only to die before his one true opera was completed. That work, Les Contes d’Hoffmann, was based on a play that strung together a collection of stories by E. T. A. Hoffmann and cast the famed poet as the protagonist of his own tales. In this performance from the 2024–25 Live in HD season, French tenor Benjamin Bernheim stars as Hoffmann, four times unlucky in love. Alongside him as the objects of his affections, soprano Erin Morley is the high-flying automaton Olympia, mezzo-soprano Clémentine Margaine is the Venetian courtesan Giulietta, and soprano Pretty Yende is both the diva Stella and the ill-fated songstress Antonia. Bass-baritone Christian Van Horn portrays the four nefarious Villains who outwit Hoffmann at every turn, and mezzo-soprano Vasilisa Berzhanskaya is Hoffmann’s Muse and his companion Nicklausse, conducted by Marco Armiliato.

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

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