An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

For the first time, filmmaker Nurith Aviv sits down in front of the camera. As the defenders fall out, her unique life story as the first woman cinematographer in Europe turns out to be the key to her own films.

Circumcision is not a trivial act. For those parents, mostly "mixed" couples from different religious origins, a choice has to be made before the birth of their children, whether religion has a role in their lives or not.

The film is about portraying while being portrayed. Painter Liliane Klapisch sketches a portrait of Aviv in a sketchbook while Aviv films. Klapisch occasionally interrupts her work to look for a piece of chalk or a pencil – she checks, considers, and continues. Aviv's camera view alternates between the hands as they draw and the painter's scrutinizing gaze. The ways in which the two portraitists approach the world become visible during the gradual creation of the portraits, both drawn and filmed. An artistic encounter between two women, focused and attentive.