Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

In the late 1990s, in a dilapidated theater in the heart of Palermo, Carlo Cecchi is working on a production of A Midsummer Night’s Dream, the second play in his Shakespearean trilogy, translated by the poet Patrizia Cavalli. Director Francesca Comencini – who sees Cecchi as the last representative of an Italy not subservient to the media and Berlusconi’s power – decides to follow him and is allowed to film the show’s rehearsals, on the condition that she does it all on her own and with discretion.

A solitary, disappointed, proud and educated old man meets and becomes the teacher of an intelligent, clumsy, middle-class, young would-be writer.

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