A Polish silent film from 1922, it was the first adaptation of Stefan Żeromski's 1912 novel "The Faithful River." The film's central theme is the love story of Prince Odrowąż, a wounded insurgent, and Salomea, and the fateful intervention of the prince's mother. The plot is complemented by allegorical tableaux vivants by Artur Grottger from the "Polonia" and "Lithuania" series. The final scene depicts a group of veterans of the January Uprising in independent Poland.

Zenon Ziembiewicz comes back to his hometown after graduating from the university in Paris. He gets entangled in a love triangle with educated young lady Elzbieta and a common country girl Justyna who gets pregnant.

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Grand Duke Konstanty marries Countess Joanna Grudzińska. However, Joanna still loves Major Łukasiński, and she agreed to the marriage out of a sense of patriotic duty. Łukasiński is arrested. The November Uprising breaks out. The conspirators capture Belweder Palace. Joanna hides Konstanty from them.

Engineer Nawrat, together with the mining crew, takes up the fight to save the local mine from being taken over by foreign capital.

Two children are born in a rich family's manor house - one of them, Gogo, is a son of a countess and the second one, Maciek, a son of the servant. The servant decides to switch the babies so her son can have a better life. They both grow up and fall for the same woman, a girl named Kasia raised by the countess.

The life story of Franciszek Murka, a municipal official. He is dismissed from his job as a result of unfounded slander about his alleged left-wing political past. After losing his government job, he assumes the identity of a foreigner named Franz Klamm and makes a career for himself in the aristocratic salons of Warsaw as a master of the occult.

Follows the lives of people shortly after World War 2 as they try to adjust to their new lives. Completed in 1946, it was banned from release by the communist government of Poland until 1957 in edited form.

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A look at the lives of people who work on the barges and boats flowing across the Vistula River.

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Joasia fiercely pursues employment based solely on her professional skills, nervously rejecting crude advances and disguising herself as unattractive to avoid harassment. When she meets her new, handsome employer Robert Rostalski, she begins to regret her impulsive decision.

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After a long job search, the main character of the film receives an offer of employment with a wealthy family as a private tutor. She quickly decides to take the job, and a music teacher tries to win her favor, but the girl is more interested in a car mechanic she met briefly. Reason and financial considerations prevail over love, as her beloved is unemployed and unable to find work. Soon, tragedy strikes.

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Bielecki becomes determined to become a famous writer, but the means he employs in achieving his goal are far from ethical. Bielecki discourages his friend Jerzy Gorski by telling him his new work is rather poor, driving him into despair. But Bielecki is such a good friend that he even provides Gorski with the morphine so he can overdose too. With Gorski out of the way, Bielecki can now peddle his friend's book as his own. However, it doesn't take long for Bielecki's evil ways to catch up to him.

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Fioretta, who works at the circus, is the favorite of the entire staff. Her beauty and charm do not go unnoticed by outsiders either, and the wealthy industrialist Eugeniusz Rańcewicz begins to take an interest in her. Fascinated by her, he abandons his plans to marry another woman. One day, gypsies set fire to the circus grounds and steal Fioretta's two favorite horses. Livenzo comes to her aid.

A documentary portrait of Aleksander Zelwerowicz, the master of the Polish scene, created on the occasion of the 60th anniversary of his artistic career. He played over 800 roles, the directors of the film chose his three masterpieces: a theater one, a film one, and a radio one.