Les Cinq Dernieres Minutes is a crime based French television series

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

The film consists of seven roughly 15 minute episodes, each showing what will happen if one or more of the Ten Commandments will be broken: Jérome Chambard is warned that he will lose his job if he continues to swear; Françoise Beaufort enamored of a stripper calls on her only to find her married to a janitor who doesn't know what kind of dancing his wife performs; Denis, a Jesuit novice, leaves the order to avenge his sister's suicide, which was provoked by Garigny, who seduced her into prostitution and drug addiction; Philip buys a necklace for Micheline though he is bored with her; a young man find out that his real mother is not Madeleine, but actress Clarisse Ardant; Didier Marin, cashier of a bank, was fired by his boss; the Devil appears as a serpent for Jérome Chambard and the bishop are eating.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.

A traveller is stuck in an unknown town because his connecting train will only arrive in six hours. He decides to kill time by taking a stroll. He is not prepared to get confused with somebody else. In fact the citizens are eagerly awaiting the visit of a famous man and the clueless traveller is his doppelgänger. Soon he experiences what that means.

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

A lord’s servant, Ali Baba, is sent to retrieve a slave for his master, but ends up on an adventure filled with gold, mischief, love, and forty famous thieves instead.

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

For more than 15 years, two Marseille friends and criminals battle the law, rival gangs, prison authorities and even mined beaches in order to survive.

After thirteen years in Germany, Fernand is coming back to his wife and his restaurant. But since his disparition, his wife as made her life with a norman chef, sympathetic but a specialist of butter's cooking when Fernand cook only with oil!

When he finds a package in the metro, given this period of restrictions, Mr. Truche thinks it may be a good deal, he takes it home but discovers a woman's head inside. A friend of Mr. Truche having just disappeared, the superintendent accuses her of having murdered her and discovers the head buried in his cellar. But the girlfriend, whom Mr. Truche loves platonically, returns from the countryside and at the same time we spot the assassin of the unknown woman.

A struggling artist buys a talisman that gives him love, fame and wealth. The talisman is a severed left hand, and it works perfectly, in fact, magically. But of course there is nothing free in this world, and after one year the devil comes and asks for his due.

Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Malou, a prostitute from Montmartre, and her pimp, have found a well laid scheme : whenever she (or he) wants to get rid of a lover, she announces to him in a tearful voice that she is pregnant. The reaction of the fall guy-is invariable: he gives her compensation money and disappears. But there is always an exception to the rule. And, as it happens, the exception is a widowed insurer, Monsieur Archibald. Indeed when he is told by Malou that he is going to be a father, he is...elated!

A detective investigates a murder and gets caught up in spy shenanigans.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

Two unemployed musicians dress up as women to be hired by an all-female orchestra called "Tulips from Holland"; they fall in love with two gorgeous musicians.

Matador Ricardo wants to end his career. His manager and his mistress manage to dissuade him and get him to sign two contracts.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.