Just before he propelled the crime melodrama to new, macabre heights in The Unholy Three, Browning directed this partially lost morality tale pertaining to a different kind of horror: that of a middle-class family living beyond their means and falling prey to moneylenders. Produced by and starring Ruth Roland for FBO Studios, a small operation that later became RKO Pictures, Dollar Down follows Roland as the spendthrift daughter of a manufacturing firm’s general manager (Henry Walthall), who pawns a ring purchased on credit to throw an extravagant party and sends the family’s livelihood into a tailspin. Because its last reel completely disintegrated before it could be copied, the film remains an ultra-rare curio that nonetheless captures an important chapter in Browning’s career before his successful string of films made for MGM.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

When an aristocratic family and their servants are shipwrecked, the butler becomes their ruler.

Yukio is illegal in the United States and is used by a gang of spies for their plans. Yukio must steal secret documents from an admiral. When he's submitting the documents to the gang, he realizes what he has done and claims the documents back. A struggle follows.

The wife of attorney John Blair (T. Jerome Lawler), heroine Helene (Kalich) finds herself in an untenable position when two of Blair's clients, Harry Carson (Robert Rendel)) and Richard Tremaine (Eugene Ormonde), both fall in love with her.

Samson, an Israelite whose enormous strength is legendary, falls in love with Zorah, a Philistine, and marries her, overcoming his father Manoah's objections.

Behind in the mortgage on Sunnybrook Farm and barely managing to feed seven hungry mouths, mother sends young Rebecca off to Riverboro to be raised by her wealthy Aunt Miranda. The little girl is treated like a prisoner by her strict Aunt, yet she gamely does her best to get an education. When spoiled girls at school mock the spirited Rebecca as "missy poor-house," she soon makes them come to eat their words. Despite many difficulties, Rebecca manages to help the less fortunate and spread joy in Riverboro, dreaming that her reward will come when she is "all growed up." This version is notable for having been adapted by famed female screenwriter Frances Marion.

Mirandy, the daughter of a laundress, scrubs floors in an opera house. Before she can marry the handsome organist for the opera, she decides she must improve her social standing.

Barbara Fiske, a beautiful girl of social standing, is about to be married to Lloyd Van Courtland. On the eve of their marriage, she foolishly pays a visit to a colorful steamship captain aboard his ship.

Two gangs of crooks, living side-by-side, each mistake the other for a wealthy household and each plot to rob the other.

A spoiled rich young woman overspends from her parents' savings and ruthlessly vamps on young men that she calls up randomly on the telephone. When her fiancée and his friends get word of this, they hatch a plan to teach her a valuable lesson.

Robert Denman, a manager at a construction company, loses everything he has to the throws of alcoholism.

Charles Murdock neglects his fat and lazy wife for another woman; When his other love interest becomes involved in a murder, he leaves for Paris.

Helen Corning, a rich "Yankee" widow's daughter, antagonizes her Southern neighbors when she speeds in her roadster. After she causes Brett Page's stalled Ford to overturn, Helen rams Judge Carroll's wagon, upsetting his eggs which fly into his whiskers. Furious, the Judge sends Helen to jail for thirty days. Brett, taking advantage of the town's ancient law that allows townspeople to hire prisoners for twenty cents per day, takes the uncooperative Helen into his home to cook and clean.

Chester Waddington secretly marries society girl Patricia Flynn, a fact that is revealed at a party celebrating her engagement to another suitor. A brawl ensues.

When the Duke of Wynningham, a "simple soul" who prefers science to royalty, meets Molly Shine, a London shop girl, he is enthralled by her love of books and begins to send her two pounds weekly so that she can purchase the books that she adores. Molly's mother discovers the money and, assuming that the duke is paying her daughter for immoral reasons, drags the girl to the duke's home, where she charges him with seduction.

Robert and Beth Bordon are married but share little. He runs into Sally at a cabaret and the Gordons are soon divorced. Just as he gets bored with Sally's superficiality, Beth strives to improve her looks. The original couple falls in love again at a summer resort.

Our Mutual Girl was unique. Not quite a serial, not quite a newsreel and not strictly an advertisement, it combined elements of all three. In 52 weekly one-reel episodes, running from January 19, 1914 to January 11, 1915, the Mutual Girl outwitted villains, saw the sights of New York, met with theatrical and political celebrities (who frequently helped her out of trouble) and tried on fashionable outfits in chic stores. The fashions were an early example of product placement, although apparently not paid placement.

When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

John Brown Smith and Marian elope suddenly because her Aunt Mary disapproves of Smith. The couple rush to the train to honeymoon at their friend Bob White's bungalow at Loon Lake, but a melange of forces prevent Smith from receiving a first kiss from his bride.