A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

Ostensibly a romantic comedy about mistaken identity, this film stars Kitty Ting Hao in two roles, the first as poor flower girl Fangfang and rich relation of a family in Hong Kong, who arrived in Hong Kong to see if she can feel better with the warmer climate. She meets Xihong, played by Kelly Lai Chen, who is the son in the family in Hong Kong. He is, of course, smitten with her, but when the secret is out, will he still feel the same?

Not a love triangle but a love rectangle, Rose, Be My Love is a romantic drama that represents the high standards achieved by Shaw Brothers in both star power and technical polish. Set on the eve of Pearl Harbor and Hong Kong's invasion by the Japanese, the tragic romance takes on added poignancy in light of the future fate of leading lady Li Ting, the "Rose" of Rose, Be My Love who committed suicide a mere three months after the movie's release.

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

.A young middle-class upstart Lin Ching Yi reluctantly takes on the task as understudy for her sick father who's a dedicated teacher to a band of mischievous working-class 3rd graders that initially proved to be much more than she can handle. Yet it is the matronly bond that is formed with her little urchin flock and her gradual understanding of the their poverty-stricken home lives outside of the classroom that raises the stakes for her as a teacher. It doesn't hurt that her empathetic male colleague Kit Chang provides support for her dilemmas also provide her a prospect as love interest. With growing ties with her students and school, Lin finds herself accepting the challenge for education of her community with her own education of love.

A middle-aged couple adopt a young girl.

A drama by the Shaw Brothers studio.

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

Ding Zhi-Hua (Pat Ting Hung) and Ding Wen-Hua (Wu Ma) steal expensive jewelry while in Hong Kong. On return to their home in Singapore, the jewels are misplaced with comedic and romantic consequences.

Woo Ting-ting (Julie Yeh Feng) is a smart, tall, introverted and snobby young girl who embodies the idea of the unattainable beauty. On the other end of the spectrum, Ting's younger sister Bin (Jeanette Lin Tsui) is an outgoing, fun and bright girl-next-door type who exudes youthful energy. Ting's cold demeanor makes a lot of boys give pause about pursuing her, but the arrival of car dealership employee Kam (Roy Chiao) changes everything. Meanwhile, Bin's flirty nature attracts too many boys, and it finally becomes trouble when the wealthy Li (Tian Qing) grows obsessed with her.

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.

Devotion, should be grim enough a lesson for my teenager in love. Little Kitty Ting Hao suffers due to social evils that ruthlessly rob her of the inalienable right to marry Chang Yang, the man she loves. Her incidental misbehaviour with Chang, which leads to the birth of a fatherless baby, does the final nailing of her coffin. Fortunately their daughter is intelligent and strong enough to be the master of circumstances and fights for her own love.

A Hong Kong historical drama

A Shaw Brothers comedy starring Peter Chen Ho and Fanny Fan Lai.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.