This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

“Harry Smith visited my apartment on East 3rd Street, New York City, April 1987. Harry told someone calling him he was at “a secret location on the Lower East Side“. So Harry! – Always like that!” He’s seen here recording, while storytelling and giving advice on use of the modern Walkman Pro to Cynthia Poirier (who would soon go on to making brilliant music recordings in West Africa). I like him holding his Walkman Pro up-close (calling it “the modern Walkman” is only referencing back to when it was the best thing available in those days for compact size and convenience).” – Brian Graham

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

Harry Smith’s screen test by Andy Warhol.

A pilot for a documentary film capturing life at the Chelsea Hotel in the early 1970s. The film was never finished due to budget issues. 'A regrettable folly of my youth,' said the director, Albert Scopin.

April 19 nite of Ricky visit but not of Ricky. 1. Jose Soltero & his assistant Alicia from Argentina. I do teaching, they tape. 2. Harry arrives and Sandy. She & I tape. 3. Harry does his Eurthmy(?) thing & gets hungry (medium rare quickly). Best part is we're double taping (Me on other camera) I talk about Kenneth Anger's curse. Good.

The 94-year-old Robert Frank’s unique recordings of his fellow artists Harry Smith and Allen Ginsberg, which he had salvaged from his own archive for Harry Smith at the Breslin Hotel.

Jonas Mekas visit. Harry comes by before Ricky visit. 1. 12 p.m. April 15th -- Jonas dares to come by but won't talk. I tape him not with set up -- (as I planned) but with camera in my arms I sneak a few shots. 2. Ricky visit RED 1.