With WWI finally ending in 1918, Croatian journalist Kresimir Horvat travels from Zagreb to his village of Vucjak in Zagorje and becomes a witness of history as Austria-Hungarian Empire dissolves.

Story about Matan, professional beggar, smuggler, and trickster, his childhood and adult adventures with his family. It is shown as retrospective, while Matan is hiding from the authorities in the mental institution.

Set in an unspecified country and an unspecified time period, the film follows a communist intelectual who, after travelling the world for many decades, decides to return and settle down to the place he grew up in, a small coastal village seemingly forgotten by time itself. With him, he brings news of the dawn of a new world on the horizon, with which he wishes to connect with through constructing a modern highway. This news is welcomed in the village, however, the construction of the road begins to bring out violent conflicts, reveals forbidden romances and ends up regressing the community even further into the darkness from which it wanted to escape.

The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

Ignored by the stories of the hawks and their weapons, little Tugomil can not resist the desire to shoot from the shotgun shot by his father Tomo. The boy will realize that he was flawed only when the old Martin was surrounded by gendarmes.

The main character is a young man who lives with his poor mother in Zagreb. He holds no job and is barely making ends meet in the overwhelming post-war poverty. They have a tenant named John. He is constantly full of money, which, allegedly, comes to him from America. The plot develops when John suggests to the young man that they rob the safe of a person known as Compadre, the same man who sent very youngster to be shot during the war, but he survived by sheer chance...

A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...

The action takes place in a village where police investigates a murder committed because of an accordion.

It is 1918, the evening of The Great War. Austro-Hungarian empire is collapsing, and all around Croatia there are outlaw deserters, fighting in forests. A city journalist decides to become a country schoolteacher, just to find some peace in that restless political situation. But, neither the village is safe from the militaristic policy of the imperial goverment.

Melkior Tresic is one of many intellectuals in 1941 Zagreb who is helplessly waiting for the encroaching war.

The plot takes place in Croatia during and immediately after the April war in 1941. The protagonists are a group of soldiers of the Royal Yugoslav Army of Croatian nationality, some of whom will join the Ustashas and the newly founded NDH after the war, and some the anti-fascist movement.

Lidija is a wealthy Zagreb lady who, during the German occupation, begins to collaborate with Yugoslav Resistance.

A group of partisans is under siege, surrounded by strong German forces. Some of them remember the events that preceded the siege. This is an omnibus of three intertwined stories.

After Stipe Zvonarov returned from the Austro-Hungarian army to his Slavic village, he found his wife Mara and mother. Women rightly expect Stipe to accept rural jobs, but he can no longer accept the monotony and restrictions of rural life.