When 9-year-old orphan Oliver Twist dares to ask his cruel taskmaster, Mr. Bumble, for a second serving of gruel, he's hired out as an apprentice. Escaping that dismal fate, young Oliver falls in with the street urchin known as the Artful Dodger and his criminal mentor, Fagin. When kindly Mr. Brownlow takes Oliver in, Fagin's evil henchman Bill Sikes plots to kidnap the boy.

After a quayside mix-up with the Italian family of his fiancée, Able Seaman Knocker White finds himself literally left holding the baby. Unable to return it before his ship sails he enlists the help of best mate Puncher Roberts to smuggle the child aboard. But babies are surprisingly demanding and gradually the whole crew is drawn into helping keep it fed and washed - and undiscovered. Even so, the officers above deck start to puzzle over the increasingly strange happenings on board.

A sergeant returns from war to his contemptible fiancée, intending to reconcile with her against all odds. But he falls in love with a charming new lodger instead.

A new career opens for Charley Moon when, during his army service, he is detailed to appear in a unit concert. In doing so, he becomes friendly with Harold Armytage, a peacetime actor of the old school. Hearing that Charley has no job to go to when demobilized, Armytage suggests they team up as stage comics. Things are not easy; jobs are few and far between, and when they can be found they are in the tattiest of theatres, but Charley gains the experience he needs. They then decide to try their luck in London.

Generational family struggles for control of a family business in 19th century Yorkshire, and to be the Master of Bankdam.

Tunis, 1943. Battle-weary troops of Company C have orders to occupy a derelict Tunisian farmhouse. They are to establish an artillery observation post, reporting on enemy movements before the imminent offensive to liberate Tunis. However German infantrymen discover their operations. The ensuing battle for control of this small piece of land will decide who controls Tunis but more critically, the victors in the battle of democracy versus fascism.

Elaine Morgan’s imaginative sequel to The Taming of the Shrew.