No synopsis available yet.

No synopsis available yet.

Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1. The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him. Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.

No synopsis available yet.

No synopsis available yet.

Tomato and carrot specialist Röbi Schifferli actually wanted to ask Erika Studacher to marry him with a flowery - sorry, vegetable - declaration of love. But he bursts into the middle of big family troubles. Erika's brother, inventor Thomas Studacher, is on the verge of bankruptcy. His last straw is an all-purpose robot with which Thomas hopes to make a financial breakthrough. But because Thomas has no talent for inventing, the robot soon gives up the ghost.

A weekend alone at home with the children - and already breaks out of the mess with Papa minor. For while Moll pushes overtime in the chocolate factory, between his children and the offspring of his boss a merciless battle breaks out: for cotton candy, homework - and the most famous circus dog in the world.

On a gloomy November afternoon, police sergeant Josef Kummer spots a suspicious car in the bushes behind the Taubenschlag restaurant, a popular suburban brothel. Kummer, who is searching for an escaped prisoner, concludes that the fugitive is hiding nearby. But the car belongs to the mayor (Ueli Beck), who is enjoying an afternoon with a pretty young lady while his wife assumes he is working in his office. In his ambition, Kummer threatens to expose the local politician's amorous escapade and provoke a scandal of the first order. When he then mistakenly arrests the popular representative, chaos ensues.

Gerri visits his girlfriend’s family home expecting a quiet weekend, only to discover a series of “accidents” killing every visitor - from the gas meter reader to the maid - and begins to suspect foul play. His dread deepens when he finds a fresh corpse in the living-room closet and wonders if he or the visiting vicar might be next.

SVP National Councillor Arthur Aebi has checked into the Parkhotel for a fling with SP secretary Anita Fröhlich. But when they go to admire the view, a dead body is found on the balcony. As nobody is allowed to know about the meeting between Aebi and Fröhlich, the body has to disappear. Aebi calls his secretary Willy Waser, who then gets involved in the whole mess, not entirely voluntarily.

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Childhood friends Gretli and Dora would probably agree wholeheartedly. Every day, they revel in sweet memories of the men in their lives. Former variety dancer Gretli has never forgotten the daring acrobat Alfredo, while well-behaved Dora from Schwamendingen still dreams of the dashing gymnast Fredy – their fling had consequences.

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A naive farmer named Heiri comes to Zurich’s Niederdorf to spend his calf-sale fortune and is quickly ensnared by pickpockets, seductive nightlife, and fleeting friendship, only to find himself destitute and alone. Meanwhile, a romantic entanglement unfolds involving Ruthli, her fiancé Police Officer Bruno, and charismatic entertainer André, all revolving around a stolen pearl necklace that brings the community’s true feelings and loyalties to light as everything resolves in a nostalgic and bittersweet conclusion.

This is a British movie set in Brighton. It shows teenage angst and female gang behaviour. The leader of the gang is Hayley (Lara Belmont) and the other gang members are Jo (Beccy Armory), Anna (Sarah French-Ellis) and Lauren (Jessica Harris). They roam the streets of Brighton stalking single men, seducing and then robbing them. Hayley meets a policeman, Daniel (Nick Moran), and becomes fixated on him. She dreams of becoming his girlfriend/lover. Daniel has a shoe fetish and lets himself be seduced by Hayley. The end result is not what he envisages.

Chief physician Leo Leu is under a lot of pressure. In a few minutes, he is supposed to give an important speech at a neurology conference. If he messes it up, he can kiss his ambitions of becoming clinic director goodbye. But he keeps getting interrupted. A Christmas party needs to be prepared, rehearsals for a nativity play are coming up, and a colleague is pestering him: Doctor Leu should be so kind as to play Saint Nicholas. In the midst of this chaos, former nurse Rita Kuster bursts in and confronts her ex-boss Leu with his sensual past. Leu reacts as quickly as he does clumsily: he lets assistant doctor Blättler in on the secret, who is supposed to take the blame for him. But an overexcited teenager, a gruff head nurse, a curious police officer, and a shot of Valium throw a wrench in Leu and Blättler's plans.

Alex wakes up on the morning of his wedding with an incredible hangover and a beautiful stranger next to him. The girl tells him that they met in the bar the night before, went upstairs and spent a wonderful night together. Does he not remember? Alex almost loses his mind, Vicky, his bride, is about to arrive and he is standing there - unfaithful and hungover - what a disaster. The bride arrives and Alex begs his best friend and best man to help him out. He doesn't like taking on the role of the gigolo at all. But things turn out differently.

Cunning genius or poor devil? Ex-office clerk Kurt is both: he uses false papers and fictitious people to collect heaps of social benefits. Papa State is a real goldmine for Kurt. But at some point the scam is exposed.

If you don't take the truth too seriously, you seem to find many things easier. Be it in your professional or private life. Rudolf Langenegger is a politician and husband and a prime example of both genres. The inventive National Councillor on the wrong track is only surpassed by his wife Sylvia. And so it happens that she meets up with her "one afternoon stand" at the same time in the same hotel as her husband with his mistress. As the unfaithful halves of the couple want to enjoy themselves door to door, i.e. suite to suite, it doesn't take long for events to unfold that send everyone involved into the dead end of their excuses at breakneck speed.

Heini Schoch becomes a millionaire on his birthday of all days. He mistakes his briefcase for a completely identical item. With one tiny difference: the other suitcase is stuffed with bundles of money. This money can only come from a scam, Heini concludes in a flash, nobody carries that much cash around with them. So there is very little chance that the police will be called. Heini tells his confused wife Hedy to pack her bags. They are to take the next plane out of the country so that the crooks don't find out about them. But Heini has rejoiced too soon: suddenly the police knock on the door and ask lots of "stupid" questions. Luckily, Heini's loyal friend Viktor is there to help - albeit very reluctantly. In order to distract the police, the two of them build a huge house of lies. Eventually it all comes crashing down.