After suffering life changing injuries in the line of duty, bomb disposal officer Fung turns his back on the police. But when a devastating series of bombings sweep Hong Kong, the police suspect their former ally may be involved after he is found unconscious at a crime scene. Now faced with memory loss and recalling only fragments of his former life, Fung sets out to uncover the truth and find out who he really is.

Street-smart exorcist Fatt has an unique method of dealing with vengeful spirits: He negotiates with them and persuades them to let go of their grudges. After recordings of his exorcisms go viral, Fatt attracts the attentions of a murderous spirit who’s targeting mediums, as well as a troublesome reporter who takes great interest in Fatt and his close relationship with a female spirit.

Truth becomes the source of creativity; actions are a result of being, not thinking. This film, INSIDE/OUTSIDE is based upon Monika’s processes over many years. Robert Golden has had the privilege of meeting and photographing some of Monika’s late work. Although her teaching is for performers, Robert has said that her gift of understanding humanity has been gifted in some small ways to him. Monika’s inspirational way of working, helps actors to find a unity between their inner psyche and its outer expression. The 46-minute film shows a precise description of her work. Monika explains it in detail along with thoughts about movement, performance and theatre. The insightful and entertaining book and film are relevant to actors, dancers, Laban yoga, Feldenkrais, Pilates and other sports and movement systems and to people working with children.

Stuffing the face with unimaginable expressions, tears streaming down the cheeks like a waterfall, hysterical cries as if coming from a neurotic….. These “phenomena” are literally the “bad acting” that are overwhelming our movies today – loud, over the top, crude, vulgar, full of ridiculed cliches that suffocate the audience….the list goes on. The illustrious Stage Opera Director and Lecturer, Olivia Yan Wing Pui, with years of distinct teaching expertise and experience, transforms her classroom into the theater. She documents her students comprising celebrated artists and newbies, award-winning actresses or laypersons, who, in Bad Acting, forthrightly share their struggles and pains, persistence and devotion, on their objective of becoming top notch artists in their acting careers.