Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.

Melanie Beck is the only surviving victim of a killer-rapist who wears a Freddy Krueger-esque mask and claw. Despite having seen the killer's face, Beck has blocked it from her memory. Becoming suicidal, she tries to kill herself on the beach but is saved by Axel, another rapist sleazeball who keeps her locked in his hotel room. All this builds to a mind blowing conclusion.

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Jessica Hamilton goes to Venice for a piano competition, but she's running a little late. On arrival in Venice, she finds that she has no room reservation and that she has been taken out of the competition. She is befriended first by Luca Renosto a same-age Venetian boy and secondly, Alvise Contrarini, the director of the competition. The two compete for her love throughout the movie until one gets disqualified in a surprise ending.

Four friends to the discovery of the most fun and romantic of Europe: Barcelona, Paris, Amsterdam and finally Scotland. A road trip that will bring our protagonists to know each other better and to fall in love.