Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

the story of doctor Mohammad Gharib an iranian physician, clinician, distinguished university professor

A mini-bus is on a journey across the mountains to Kabul. Each person on the bus has a reason to take this journey. An old man is traveling to give a turkey to his grandchild, as his last wish before dying. However, the main road is blocked by insurgents. They decide to use an alternative road, which is not very secure, and there is still the possibility of getting caught by insurgents.

In an ordinary Iranian town, two mysterious strangers in a car begin to park daily at the same spot for hours. This unusual occurrence causes paranoia among the locals, who suspect them to be national security.

In the middle of the Islamic revolution of Iran in 1979 Captain Kalali who was in jail because of being a Communist is getting release from the prison. But he is after Keymaram the former leader of them who had betrayed them to kill him. Captain goes to Isfahan and manages to kill him and then after that he meets his wife and children who were away from him for a long time.

13-year-old Parsa has inherited a big chocolate factory from his grandfather. The factory is about to go bankrupt and Parsa must decide whether to sell or to run the factory once again with the help of his playful friends and his grandfather's faithful lawyer. Indeed, there are some people who intends to sell this place. However, his grandfather has shared a formula for making a new chocolate in a clip recorded before he dies.

Khosrow (Shahab Hosseini) who is a bi-polar man is forced to live in his brother's house Nasser, as his guardian and sister goes abroad for a while. The brothers soon find themsleves in friction due to the challenging behavior of Khosrow and quesrionable moral decisions by Nasser.

A young woman is murdered by her own father, with the help of her younger brother. She is secretly buried in the cellar, a space where the women of the family weave carpets and perform other domestic chores. Her loss, or perhaps her presence, continues to haunt the family as it reverberates through the following generations. Ayyari’s film is staged exclusively in this house and was banned several times in Iran.