The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)

Maud March, the rebellious daughter of a millionaire, goes to New York to see her sweetheart Geoffrey who left town years ago. Her aunt Carolyn wants Maud to marry her son Reggie and sends the Maud's brother Percy after her to act as chaperone. Maud, trying to escape, enters a taxi where she meets handsome composer George Bevan. The man falls in love with the young lady who, when she sees how Geoffrey has changed, soon agrees to marry George.

The heroine, Peggy Cameron, is a high-society debutante with a mind of her own. After making a public spectacle of herself once too often, Peggy is bundled off to Scotland, where she is to be looked after by her no-nonsense uncle Andrew Cameron (William H. Thompson). If Peggy's family had hoped that she would straighten up and behave herself in Scotland, they were sorely mistaken. Restored in 2018 by the Academy Film Archive with restoration funding provided by the Louis B. Mayer Foundation.

After an idyllic mountain life in Russia, Berna goes to live with her uncle in the Jewish section of Kiev, arriving just as Cossacks massacre most of the Jews in the city. Berna escapes to New York and works at a sweatshop controlled by Boss Jim McManus, but he seduces her, then throws her out on the street, and she becomes a prostitute. Berna later marries Nicolay Turgenev, a young musician,

George elopes with Lou Ellen, a judge's daughter, against the wishes of both their families. Simultaneously, George's friend Jim is in love with Jackie, an actress who gets into trouble for punching a bumbling constable at a raided party. George foolishly allows Jackie to hide in his home, leading to a series of comedic complications as he tries to keep her presence a secret from his new wife, her parents (especially her strict judge father), and his Quaker aunt.

Wealthy John Steele has a handsome young son, Frank, on whom he pins his hopes. But riches lead Frank not into social standing and duty, but into depravity, drug-addiction, criminal activity, and finally to tragedy.

William H. Thompson plays a likeable old lighthouse keeper who must contend with his less likeable fellow villagers. One of Thompson's acts of kindness is to bless the "scandalous" romance between hero and heroine.