The film begins with a close-up of a table in a restaurant covered with a checkered cloth, in a composition that strongly suggests a still life. It lingers there for a long time before beginning a slow outward zoom. All the while we overhear poorly recorded snippets of conversation. We see hands move in and out of the frame, lifting glasses and tapping cigarettes. We recognise Edie Sedgwick by her signature dancer's tights and jewellery. The group discuss a recent trip to Tangier; the conversation returns frequently to past and upcoming travel. At one point, a whole, uncut pineapple is delivered to their table, despite the fact that they are in an Italian restaurant: it is not meant to be eaten, but to evoke the possibility of adventure in exotic, semi-imaginary lands.

Nightmares of the past haunt the beautiful, mysterious Olivia, a London resident who begins a passionate affair with American businessman Mike. Trapped in a loveless marriage and traumatized by memories of her mother's brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

The documentary explores the enigma of actress and artist Mary Woronov and chronicles her colorful career trajectory as a ground breaking female performer starting from her work with Andy Warhol to Roger Corman, that sealed her reputation as a "Cult Queen".

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

In this retelling of the classic tale, Aladdin is an out of work indie-rock singer living in a video-game-world ruled by a perverted technology-obsessed Sultan.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

"ASCO: Without Permission" is a genre-defying film that profiles the extraordinary, Los Angeles based, Chicano art group of the 70's-80's, ASCO, who merged activism and art as they challenged representation in the art world, Hollywood and the news media. Unrecognized in their time, they are now being considered amongst the most important artists of the 20th century. Utilizing a wholly original approach to filmmaking where nonfiction and fiction are interconnected through collaborative film works made with the next generation of Latinx artists, "Without Permission" reimagines what is possible today in cinema and art while celebrating an iconoclastic group that was far ahead of its time.

New York, post 9/11: Armed with a home video camera and no script, the director delves into the private lives of four women artists and transgender activists from the city’s underground subculture, filming their lives over a period of 10 years. Little by little, their testimonies reveal fragments of their pasts, their experiences and their struggles for an identity of their own. A series of revelations transform the viewer from feeling like an intruder to being invested in their destinies.

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Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

I filmed the young Bibi Hansen in 1966 as a screen test for a film I wanted to make out the life of a young girl growing up in New York. The film was never made. This footage was taken in Central Park. The haiku in the film is by Matsuo Basho in Mobuyuki Yussa translation.

From the experience of a transvestite from Los Angeles, the A. shows how race and sexuality are closely intertwined. Through the malleability of the disguised identity, the A. shows an inspired philosophy of Gramsci on the practice considered as subculture field.

The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.

Screen Test of Bibbe Hansen at age 15.

Inspired by Bibbe Hansen's experiences in a juvenile detention center.