Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.

The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

London's Royal Ballet performs two of Igor Stravinsky's classic works in this pair of performances choreographed by dance legend Nijinska. Zenaida Yanowsky and David Pickering star in "Les Noces," the stark, percussion-centric tale of a Russian peasant wedding that incorporates traditional folk music into its score. "The Firebird" stars Leanne Benjamin as the mythical creature who brings both a blessing and a curse upon her captors.

This special program, performed at the Royal Opera House to mark the 25th anniversary of Frederick Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

"MacMillan's vision has been vital in shaping The Royal Ballet's style and repertory, and what better way to appreciate his art than with this rare chance to experience three contrasting works in a single performance. Abstract, dramatic, humorous - this programme gives a wonderfully varied introduction not just to MacMillan's work but to the beauty and dramatic power of ballet itself. Concerto, to Shostakovich's Second Piano Concerto, contrasts moments of exuberance and elegiac reflection. The Judas Tree places a single woman among 13 men to enact a harrowing event that is recognizably contemporary but with biblical overtones. Elite Syncopations completes the programme with a sparkling evocation of a dance hall that brings ragtime rhythms to the dance, and a ragtime band to the stage.