Based on “Shahar Theke Doore”, a Bengali story by Sailajananda Mukherjee

Dashyu Ratnakar who kills the travelers for wealth for support and maintenance of his family. When suggested by Narad Muni to esquire his family members i.e. his father, mother, wife and children if they would receive some portions of his vice which he had done for their maintenance, Ratnakar is astonished by their replies. They all replied that it is his (Ratnakar's) duty to maintain his family. They are not responsible for the method by which Ratnakar earned money. At that reply Ratnakar was deeply shocked, promised to shun all his means of vices and achieved sage-hood through deep penance. He later transformed into Maharshi Valmiki who wrote the great epic Ramayana.

Sura Babu lives with his wife Parbati, brother Raju & son Debi. Parbati loves Rabi more than his own son. Parbati falls ill and Raju comes to Puri believing that Lord Jaganath's prasad can cure Parbati and brings prasad. The illness continues and native doctor Das is called in. Parbati gradually cured in. Later Parbati's mother and sister Champa come to stay with her. Parbati's mother is not well disposed towards mischievous Raju and tries to influence Parbati against him. Her efforts fail as Champa take side of Raju. Dr Das's assistant Mukund and doctor Rabi, a new comer to the village compete for Champa's hand. Dr Das makes the proposal to Sura Babu on behalf of Mukund for Champa's hand. Sura agrees with a misunderstand that Doctor Das himself wants to marry Champa. In the meantime Mukund decided that he is not suitable for Champa. On the marriage day sura Babu forces Dr. Das to marry Champa. At the last moment Raju is found in bridal attire

Kedar Babu is a freedom fighter since the days of Mahatma Gandhi's call for a Civil Disobedience Movement. Kedar Babu lost his wife at an early stage of his marriage. Since then, he has brought up his only son Sangram with all paternal affection. In town, Sangram stays in the house of a landlord, Bahadur Suryakant Singh, where there is a gradual moral decline. This puts him in a state of dilemma and delusion. In the last encounter with his father. Sangram experiences a new perception of life, illuminated with anxiety.

When Bhagwan Shri Jagannath and his brother, Bhagwan Shri Balabhadra, refuse to partake offerings from a lower-caste woman, Shriya. Devi Maa Lakshmi is offended and puts a curse on both of them. The duo, hungry and homeless, go from village to village, house to house in search of food. What they don't realize is that Devi Maa, in collusion with Vayu Dev, Agni Dev, and Pawan Dev is determined to teach both of them a lesson they will never forget.

Kalyani (Roy), an intrepid journalist, investigates the rape and murder of a tribal woman by a politician in rural Orissa. Later, she also investigates the criminal activities of a moneylender, becoming increasingly involved in the lives of the tribal people, adopting the child of the dead tribal woman. However, her editor either suppresses or publishes distorted versions of her stories. This is intercut with the journalist’s own troubled married life.

Nandika is childless after 8 years of marriage to Sunanda and she persuades him to remarry. Sunanda and second wife Lalita move to the city and Nandika finds she is pregnant and follows them.

Anuaradha and her brother save a man, Debabrata, washed ashore from the sea. Anuaradha and Debabrata fall in love and get married, but Anuaradha's feelings change when she finds that Debabrata is widower and has a son.

While looking for his lost dog, Babula finds a strange looking creature who is actually an alien from outer space. He brings the creature home and hides him in his room. Babula takes care of him and the two develop a loving bond. However, when his parents discover the alien, they try to kill him thinking it could harm their child. Babula is deeply upset by this reaction and tells his friend to escape the violence of his world and go back to his own planet. The film contrasts the suspicious nature of adults versus the trusting perspective of children, hinting that be it in this world or another, the most important emotion is compassion.

Prakash, who can't depart his family values in the mean time he don't want to suppress his modern dreams with new thoughts. The conflict begins.

No synopsis available yet.

National Film Awards - Certificate of Merit for best Odia film. Made with a budget of Rs. 1,05,000.

No synopsis available yet.

Sadhana was based on the novel ‘Chhinapatra’ by Ashapoorna Devi. The film was adjudged as 2nd Best Regional Film (Odia) and received President’s Silver Medal. Actor Sarat Pujari was co-producer of Sadhana. He also written dialogues under the pseudo name Shiladitya, assisted by Minati Mishra.

Amada Bata is a classic Odia film directed by Amar Ganguly, based on eminent Odia woman writer of yester years Basant Kumari Pattanayak's master piece Amada Bata (1930), whose primary concern is the character Maya (Played by Jharana Das), before and after her marriage.

No synopsis available yet.

Raja Saheb goes on a hunting expedition in cannibal country - the result, sex and a meal with an unusual main course.

Sandhya and Nikhil have been married for eight years and live a wealthy lifestyle in Bombay, along with a daughter, Rashmi. However, their lives change when Nikhil has an affair with his assistant Vrinda and divorces Sandhya.

The movie is based on industrialisation and subsequent displacement of Paraja tribals in Koraput district. The film deals with problems faced by the ethnic communities of Niyamgiri hills due to rampant mining and rebel activities.

Arundhati wants to marry Manoj but Biswajit claims Arundhati is his wife Madhu who supposedly died in a train accident. Eventually the confusion is resolved.