No synopsis available yet.

Set at the end of the Majapahit era, Bre Wirabhumi, son of Hayamwuruk, but born from a concubine, demands his right to be king of Majapahit. The kingdom is then ruled by Wikramawardhana, son-in-law of Hayamwuruk. To rival Majapahit, Bre Wirabhumi creates the Pamotan kingdom and looks for allies amongst other kingdoms. This creates confusion among the kingdoms friendly with Majapahit. Brama Kumbara (Fendy Pradana) from the Madangkara kingdom tries to settle the dispute. What happens instead is a misunderstanding that leads to the death of Brama’s envoy. Even worst, the lover of the murderer, Lasmini (Murti Sari Dewi), takes revenge by kidnapping Brama’s wife. The conflict then escalates into the Paregreg war between Majapahit and Pamotan.

No synopsis available yet.

Tells the story of Bratasena's ambition to take power, but meets resistance from Banyu Biru and Jaka Pratama. Bratasena did everything she could to make her wish come true, and vice versa. Banyu Biru and Jaka Pratama are ready to sacrifice their lives to defend the truth.

Reminiscent of the Rocky film starring Sylvester Stallone, Rio has to use his fists to make a living as an illegal parking man. When the parking area is taken over by the local government, Rio loses his livelihood. Mursali then helps him by offering his taxi for driving at night. Again he has to use his fists on this new job, but when he meets Lia, she advises Rio to become a boxer. So he goes to Oom Eddy’s boxing gym and his career takes off. But Lia distracts him from his training and his fights. He also forgets about his girlfriend in the village, Sinta (Ayu Azhari). His losing streak begins and then Lia dies during an abortion. So Rio goes back to his village. Oom Eddy and Rio’s friends try to lift his spirit up again. Then Rio returns to the boxing ring, and is victorious once more.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

Arman’s father denies his request for a toy gun, but his mother allows it. With that toy gun, Arman forms a squad called “Berani Mati” or “Ready to Die” with his friends, Hamdan and others. The security in the neighborhood is threatened by the mischief of Bang Hamid, and Arman and his squad, successfully prevent a burglary by him. The residents are proud to have such brave boys in the neighborhood.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

Set in the real event of the sinking of the KRI Macan Tutul in the Trikora area, Wahab Abdi is an officer of that boat. As he is pronounced dead, his girlfriend, Liliana, marries another man. But Wahab is not dead; he is hospitalised in the navy hospital. Later, his nurse, Shinta Dungga, falls in love and marries Wahab at the end.

The residents of a dormitory led by Bu Siti each have their own personal issues. Tari, a dance student, falls in love with a man old enough to be her father. Rahimah, a medical student, is about to be forced into marriage in her village but is rescued by Nasrul. Maria, a flight attendant, gets entangled in a love quadrangle. She is loved by Imansyah, a co-pilot, but Maria is more attracted to Broto, a wealthy merchant. However, Broto himself is more interested in Sita, a dance instructor. Additionally, two teenagers, Ani and Ina, are placed under Bu Siti's care because their parents are preoccupied with politics. All these problems are resolved in a comedic manner.

Three sisters—Nunung, Nana and Nenny—are being raised by their grandmother in Jakarta after their mother's death. Though the sisters' father Sukandar lives with them, he is too involved in his own work to pay them heed.

Pringgo, a wealthy businessman, catches his fiancée making out with another man. In a frustrated state, Pringgo has a car accident. According to the doctors who treat him, Pringgo has to undergo surgery to cure his paralysis. But he doesn’t have the courage and loses the hope to live. While he is treated in a sanatorium, Pringgo gets acquainted with Astuti, a frustrated girl. They finally get married, although in the beginning the relationship is based on pity rather than love. Mrs. Heru, Pringgo’s sister, and Mrs. Brasti, head of Pringgo’s household, oppose this marriage. Mrs. Brasti manages to harm Astuti, which is found out by Pringgo. Then Mrs. Brasti is fired. Gradually he realises how much Astuti really loves him and not for the money he has. Thus Pringgo finds his life spirit back, and has the courage to undergo surgery.

Amidst the election rivalry of two villages for the village head post, Cigugur and Cijulang, a troupe of Ronggeng artists, with its prima donna, Sari, arrives at the sub-district center for their regular performance. Sari and Dadang, the son of the Village Elder of Cijulang, are in love with each other. Dadang is also running as a candidate in the village head elections. But Ohim, the son of the Cigugur Village Elder, is also madly in love with Sari. He gets even more daring after a humiliating incident when he tries to touch Sari’s hair bun on the ronggeng stage. The touching of the hair bun is one of the rituals in the traditional art of Ronggeng. Dadang’s father is angered by his son’s relationship with Sari, since it could jeopardize his candidacy as the head of the village.

Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.

About Ario Petak (Pendekar Bukit Tengkorak) revenge Bargo Wirogo's Killed parents him was.

Irma, who thinks Bobby is shy, ignores Bobby's feelings for Irma. Until Irma realizes Bobby's feelings and gets involved so much that her school falls apart.

Joki Tobing, a rebellious young man, arrives from Medan and works as a reporter. His reports cause him to be fired by his chief editor, and even his uncle, in whose house he is staying, throws him out. He reports on his uncle’s corruption, which also relates to his own father.

This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family. Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.