The love story between beastly-looking prince Kusa and beautiful princess Paba.

The inspirational portrayal of Mother Teresa, a simple nun who became one of the most significant personalities of the 20th Century. Armed with a faith that could move mountains, Mother Teresa followed her calling to help the poor, the lepers, the dying and the abandoned children in the slums of Calcutta, challenging many authorities - including the church - along the way.

A schoolboy and his friend are caught at school looking at pornography on the computer. Punished, they wrongly believe that the police are going to arrest them so they hide in an abandoned building and as the boys feel cornered, and fearing for their lives, one of them accidentally kills a prostitute with a dagger thinking she was a mugger...

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The story follows a seven-year-old girl from an aristocratic family who is brutally murdered and subsequently reborn in a rural village.

A village girl who newly joined to the nursing is having a relationship with an civil engineer who works nearby project. The girl gets pregnant before they get married so they decided to abort the child. But it become unsuccessful and they decide to marry before the child is born. Although they both loved their child strongly, later he gets a blood cancer and died. The husband accuse the wife for the death and they become separated. Can they survive without seeing each other?

The film centered around the story behind national patriot Veera Puran Appu and his Matale rebellion in 1848 for the freedom from British. Though he was executed by the British by firing squad, his influence to the country's independence has been highly praised and thus Puran Appu is highlighted as a national hero of the Sri Lankan history.

Calcutta, 1946. Violence rages in India. Sister Teresa teaches at a convent, but is haunted by the faces of the starving, the poor and the homeless; the faces of those less fortunate than her. With only her faith in God, she leaves the convent to live in the slums and care for the poor. An surprisingly, even one of the most revered, selfless heroes questioned her purpose.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

In 1814, a nobleman from the Kandian Kingdom of Sri Lanka helped the British army to revolt against the king of Southern India, but was driven to a traitor. His wives have to choose between committing suicide or marrying outcasts. Instead of suicide, young and beautiful Tikiri chooses to marry an untouchable, named Vijaya.

An elderly man who regrets certain events in his past life displays his struggle to relieve the bottled-up feelings which had disturbed him throughout his life. Opening with the funeral of the elderly Guneris' wife the film follows the revelation of his past which is filled with a number of tragic events including a triple murder he had committed 52 years ago.

A woman plots her revenge after being duped by a slick, ruthless man who impregnates her and tries to bail her out of marriage.

Julia, the innocent and naive young woman enjoying the bliss of youth is fascinated, like any other girl of her age, by trendy and handsome young men.Unfortunately for her, the youth who steals her heart is a cunning manipulator by the name of Dilru.With his deceptive good looks and clothes he is sure to attract women at will.And Julia is no exception.She meets Dilru and falls head over heels in love.But she is not aware that the young man is in Sri Lanka after fleeing England as he is suspected of involvement in the murder of a young girl, a Sri Lankan expatriate.Julia's whole life takes a new turn with this fateful meeting.

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

A husband and wife grow marijuana in the forest near their village, and it brings them troubles.

An extraterrestrial spacecraft from a dying world crashes into an isolated rural community, leaving a single alien survivor stranded on Earth. To evade capture, the highly intelligent being adopts a human identity named Saranga while secretly studying human behavior, medicine, and culture. As strange phenomena and unusual physiological occurrences begin affecting the villagers, a dedicated professor and government investigators attempt to track down the hidden entity. The narrative delivers a tense, cerebral exploration of a lone visitor caught between advanced cosmic knowledge and deeply rooted local folklore.

Very loosely based on Anton Chekhov's The Cherry Orchard, Lester James Peries's MANSION BY THE LAKE follows a family of formerly wealthy, expatriate Sri Lankan landowners, now impoverished, as they return from England to the magnificent country estate they left behind.

Suwisal has turned 40. He's a forgetful businessman, a philanderer, indifferent to life around him, including his young and lovely fiancée. A visit to the house of his childhood triggers memories that continue to cascade when he is called for jury duty to hear the case against Piyum, a servant he seduced and abandoned 20 years before. Now a prostitute, she is on trial for murder.

A young girl distraught by her mother's sudden illness finds solace in a beachfront carnival's puppet show run by a mysterious ringmaster.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.