Three friends are hanging out on the roof in Sarajevo. Their hangout is interrupted by the Yugoslavian time traveler who explains them that they are in danger and need to use the time machine to go back to Yugoslavia and warn people that the future generations messed up. They travel back in time to find themselves not in Yugoslavia, but in Iran. Clash of the cultures is evident, and they are forced to hide their identity. But the more they discover the city, the more they realize it is scarily similar to their own.

Maja, a Sarajevo native, spends her days bouncing all over the city - going to English classes, hanging out with her friends, and trying to stop the deportation of her former teacher, an American exchange student named Austin.

An overview of three stylistically separate, but emotionally connected episodes relating to the nature of identity of a young woman and an artist.

Tica (Birdy) a war orphan arrives to Sarajevo with his newborn daughter urgently needing surgical procedure. Facing his new appalling reality, Tica embarks into the night where demons of the past are always ready.

Commissioner Branka Marić is summoned to the idyllic yet secretive island of Brač, where two women are brutally murdered in quick succession, forcing her and partner Emil Perica to unravel a web of long-buried feuds, jealousy, and vengeance among tight-lipped locals.