Counterterrorism agent Jack Bauer fights the bad guys of the world, a day at a time. With each week's episode unfolding in real-time, "24" covers a single day in the life of Bauer each season.

As two evil sisters prepare to conquer the land, two renegades—Eric the Huntsman, who aided Snow White in defeating Ravenna in Snowwhite and the Huntsman, and his forbidden lover, Sara—set out to stop them.

Two British-born Muslim siblings are drawn in radically different directions after 9/11.

Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.

Sohail is an ambitious law undergraduate who signs up with MI5 and, eager to play a part in protecting British security, begins an investigation into a terrorist cell. His sister Nasima is a medical student in Leeds who becomes increasingly alienated and angered by Britain's foreign and domestic policy after witnessing at first hand the relentless targeting of her Muslim neighbours and peers. With action set in Pakistan, Eastern Europe, London and Leeds, both feature-length episodes detail a tragic sequence of events from two distinct perspectives. At the heart of this thought-provoking drama is a revealing examination of British Muslim life under current anti-terror legislation. Britz ultimately asks whether the laws we think are making us safer, are actually putting us in greater danger.

From early rehearsals to the final performance, this in-depth exploration provides a behind-the-scenes look at how the RSC reimagined a Shakespearean classic for modern audiences. As Gregory Doran's directorial vision unfolds, traditional African dance is seamlessly integrated into Caesar's triumphant entrance and Mark Antony's funeral speech, while the set designers create a palpable atmosphere of dictatorship and unrest. Cyril Nri (Cassius) discusses how the cast draws on African leadership archetypes to infuse the narrative with cultural relevance, and Paterson Joseph (Brutus) reflects on his character's internal conflict, highlighting how it mirrors the difficult choices faced by contemporary revolutionaries. The documentary intersperses live performances with audience reactions, highlighting the powerful resonance of the adaptation.