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Russian Empire. The second decade of the twentieth century. As a result of the conflict between the Entente and the bloc of the Central Powers led by Germany, which erupted in August 1914, Russia is drawn into the First World War. A wave of unrest is rolling through the country. Revolutionary moods are increasing every day. Counterintelligence is trying with all its might to suppress the activity of German spies active in the territory of the country ...

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

Based on a true story, this is the love affair between a Lithuanian genius and the woman and the country he adored. Mikalojus Konstantinas Ciurlionis was born into a Lithuanian peasant family in 1875. Despite his lowly origins he soon revealed himself to be a child prodigy able to both paint and compose music of startling and often frightening intensity. Soon after he was struck down by a mysterious mental illness, which would plague him for the rest of his life. During his short lifetime, Ciurlionis produced over 300 paintings and 300 musical compositions. Supporting him throughout his short and painful life was his beloved wife, Sofija Kymantaite, a journalist and political activist.

Gitel is a Holocaust survivor. Many years later, she struggles with the memories of the past as she tries to live in the present.

This is a fractured tale of Kiwi (Iaroslav Zhalnin), a teen thief with a penchant for driving his motorcycle into traffic, playing video games and turning invisible; Alisa (Vasilisa Petina), a young model whose face is splashed all over city billboards and ads, with whom Kiwi grows fixated; and Alik (Khazizov), a metrosexual writer who roller-skates in his cavernous hard-wood-floored apartment and plucks a drunken Alisa after her fateful encounter with Kiwi. Alik, responding to Alisa’s pleas, eventually confronts the pestering Kiwi; a misunderstanding (did he rape her? did he not?) erupts into violence.