The daughter of a diplomat and the son of a humble farmer share a love that crosses every boundary — until fate separates them. Years later she returns, carrying secrets that recast everything they once shared in a darker light. Starring Mahmoud Nasr and Carmen Bsaibes, it's a faster-paced, culturally adapted take on one of Turkish drama's most beloved love stories.

Sarah is a widowed engineer with one desperate priority — saving her young son's life. When her boss Zein offers to pay for the cancer treatment on one condition — that she spend a night with him — she faces an impossible choice. What follows spirals far beyond that night into obsession, power and complicated feelings neither of them expected. An Arabic remake of the celebrated Turkish series Binbir Gece, starring Razane Jammal and Basel Khayat, with a theme song by Elissa.

A historical epic that goes back to the horrifying days of the Ottoman Empire and accompanies four Arab college students in their revolt against the Sultanate’s tyranny.

When widower Ramzi — a man in his sixties — announces he's marrying Nisrine, a woman young enough to be his daughter, his son Jad and Jad's girlfriend Sila are furious. What follows is a battle of wills as the family schemes to drive Nisrine away, while she fights to hold her ground. A Lebanese Ramadan drama praised for its cinematic quality, realistic characters and escalating tension — viewers found themselves genuinely divided over who to root for. Stars Rita Hayek and Carlos Azar.

It follows two brothers, Amir and Wissam, who are separated by fate in childhood. Amir grows up to become a police officer and is assigned to infiltrate a powerful criminal gang as part of a covert operation. Unbeknownst to him, Wissam—who was kidnapped years earlier—has grown up within the same organisation. As their paths unknowingly cross, the brothers find themselves on opposite sides of the law, with their fates deeply and dangerously intertwined.

Salim Fayad is an ordinary pharmaceutical company owner whose life is shattered in seconds when his car kills the daughter of Lebanon's most feared drug lord. Instead of revenge, the dealer makes him an offer — become his personal assassin, or watch his family die. A Lebanese thriller adapted from the celebrated Serbian series Besa, following a decent man's descent into a world he was never meant to inhabit, doing terrible things to protect the people he loves.

A Lebanese thriller set in Beirut, following Nasim, a writer who returns home after years abroad when her father is hospitalised — only to find her closest friends being murdered one by one. Detective Karim M'alouf suspects the crimes are linked to Nasim's mysterious past. Tangled family secrets, a serial killer, and a rekindled romance make for a gripping and layered story.

Dalida, a pretty girl from a working class family always lies about her background. So it’s no exception that she creates a whole other identity for herself when she meets her lifelong crush - the incredible singer Ramzi Dib. But her lies end up catching to her.

When an Arab celebrity has a problem, fixer Tony Tabet is the solution. Now he wants out to reconnect with his son, and with one month left on the job.

The life of a notorious working-class man, Ghali, shifts when he meets the wealthy Dahab, who offers him a bizarre deal that promises to keep his troubles away.

On the eve of the 35th anniversary of launching Dentelle’s atelier, a group of people discover life-changing secrets hidden within its walls.

Syrian rising star Mohammed Al-Ahmad delves into a different aspect on psychological issues, specifically, dissociative identity disorder. It explores how this condition can become a double-edged weapon that helps him seek revenge.

A dark comedy about brothers running a drug-dealing business out of their takeout pizzeria.

The film stars Dalida Khalil and Ziad Bourji, and was released in Lebanon in 2013. It was made as a sequel to the original series which follows Dalida, a young woman known for constantly lying. She falls deeply in love with famous singer Ramzi Dib.

Damascus, Spring 2011. It's the early stages of the civil war. 25-year-old Nahla is torn between her desire for freedom and the hope of leaving the country thanks to her arranged marriage with Samir, a Syrian expatriate in the USA. When he chooses her younger, more docile sister Myriam, Nahla finds refuge at her neighbor's, the mysterious Ms Jiji.

The film is about the failure of (Abu Afif) grandfather of the child (Karim) who owns an old-fashioned property, with the end of the civil war and the passage of days becomes Karim young and immigrants with the timing of the reconstruction of Beirut, Karim finds in that project hope to restore paint and restoration of the structure inherited About his grandfather. It collides with the rehabilitation project when it is discovered that the building is owned by a real estate company in order to establish its place of the Dream Tower. The company succeeds in owning some floors and the building renovation project is stopped for the second time. In the meantime, Karim meets Maya, and they experience a swaying love story in tandem with the problem of demolishing or restoring and preserving the building.

Nada is going home. Or at least she wants to. When she comes back to Lebanon, she realizes she's a foreigner in her own country. But there's still a place she calls home: an abandoned house in ruins, haunted by the presence of her grandfather who disappeared mysteriously during the civil war. Something happened in this house. Something violent. A young woman searching for the truth and discovering herself.

Malek, a Lebanese immigrant from Montreal, is haunted by the violent death of his sister. Convinced that he could have avoided this tragedy, he is consumed with guilt. He lives alone, poor, jobless until he meets Shohreh, an Iranian girl, with whom he falls in love. A new life opens up to him and he quickly finds work. Malek gradually regains his dignity but the past resurfaces to the point where he is pushed, almost in spite of himself, to finally settle his accounts with himself.