The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Four panelists must determine guests' occupations - and, in the case of famous guests, while blindfolded, their identity - by asking only "yes" or "no" questions.

Special Agent Eliot Ness and his elite team of incorruptible agents battle organized crime in 1930s Chicago.

Telephone Time is an American anthology drama series that aired on CBS in 1956, and on ABC from 1957 to 1958. The series features plays by John Nesbitt who hosted the first season. Frank C. Baxter hosted the 1957 and 1958 seasons. The program was directed by Arthur Hiller.

Kraft Music Hall is an umbrella title for several television series aired by NBC in the United States from the 1950s to the 1970s in the musical variety genre, sponsored by Kraft Foods, the producers of a well-known line of cheeses and related dairy products. Their commercials were usually announced by "The Voice of Kraft", Ed Herlihy.

Westinghouse Desilu Playhouse is an American television anthology series produced by Desilu Productions. The show ran on CBS television between 1958 and 1960. Two of its 48 episodes served as pilots for the 1950s television series The Twilight Zone and The Untouchables.

The Walter Winchell File is the title of a television crime drama series that initially aired from 1957 to 1958, dramatizing cases from the New York City Police Department that were covered in the New York Daily Mirror. The series featured columnist and announcer Walter Winchell, John Larch, George Cisar, Robert Anderson, Robert Brubaker, Dolores Donlon, and Gene Barry, a year before he was cast in the lead of NBC's Bat Masterson. Thirty-nine episodes were produced; the first twenty-six aired on ABC during the 1957-1958 season, and the final thirteen were seen in syndication in 1959. Among the guest stars was the child actor Dennis Holmes, who played 7-year-old Allie Marisch in the 1957 episode "Thou Shalt Not Kill."

Stanley is a bellboy at the Fountainbleau Hotel in Miami Beach, where he performs his duties quietly and without a word to anyone. All he displays are facial expressions and a comedic slapstick style. And anything that can go wrong, does go wrong when Stanley is involved. One day, Jerry Lewis arrives at the hotel and some of the staff notice the striking resemblance.

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.

Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

Torch singer Helen Morgan rises from sordid beginnings to fame and fortune only to lose it all to alcohol and poor personal choices.

Broadway: The Golden Age is the most important, ambitious and comprehensive film ever made about America's most celebrated indigenous art form. Award-winning filmmaker Rick McKay filmed over 100 of the greatest stars ever to work on Broadway or in Hollywood. He soon learned that great films can be restored, fine literature can be kept in print - but historic Broadway performances of the past are the most endangered. They leave only memories that, while more vivid, are more difficult to preserve. In their own words — and not a moment too soon — Broadway: The Golden Age tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This is the largest cast of legends ever in one film.

Satire on radio, built around the supposed feud between bandleader Ben Bernie and journalist Walter Winchell.

A young girl is left with the notoriously cheap Sorrowful Jones as a marker for a bet. When her father doesn't return, he learns that taking care of a child interferes with his free-wheeling lifestyle. Sorrowful must also evade crooked gangsters and indulge in a bit of horse-thieving.

As part of their public feud, Bandleader Bernie pretends a girl singer is no good so columnist Winchell promotes her in his column.

Racketeer Frank Rocci is smitten with Joan Whelan, a dancer at Texas Guinan's famous Broadway night spot. He uses his influence to help her get a starring role in the show, hoping that it will also get Joan to fall in love with him. After scoring a hit, Joan accepts Frank's marriage proposal, more out of gratitude than love. The situation gets even stickier when she falls for a handsome band leader during a trip to Florida. Can she tell Frank she's in love with someone else?

The life and times of radio commentator and syndicated newspaper gossip columnist Walter Winchell, who reached an audience of 50 million at his peak.

Melodrama about the inhuman treatment of migratory workers in California vineyards by the boss, and the formers' rebellion against him.