Vanity Fair is a TVB television series, premiered on January 2, 1978. Theme song "Vanity Fair" composition by Joseph Koo, lyricist by Wong Jim, arrangement by Joseph Koo and Choi Tak Choi, sung by Paula Tsui.

Conflict is a TVB television series, premiered on October 2, 1978. Theme song "Conflict" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by Jenny Tseng.

The Passenger is a TVB television series, premiered on May 28, 1979. Theme song "The Passenger" composition and arrangement by Joseph Koo, lyricist by Wong Jim, sung by George Lam.

Liu Zhong-yuan is a famous martial artist who lives in seclusion with his family. His eldest daughter, Liu Feng, helps him in the clinic while her husband works in England. His second daughter, Liu Yi, has no interest in learning martial arts. Instead, she attends university while her brother, Liu Long, spends his time fighting. Concerned for his son's well-being, Liu Zhong-yuan decides to open a martial arts school. However, Liu Long desires to become a movie star, leading to conflicts with his family and involvement with the criminal underworld. Can Liu Zhong-yuan use his martial arts skills and sense of justice to help his son find his way back?

Hong Kong drama.

No synopsis available yet.

This is the third sequel of the original film

Hong Kong romance.

Starring Tak-Hing Kwan as Wong Fei-Hung

The Kunlun swordsmen carries out a rescue mission to save the little boy who has been abducted by the evil monk. Eager to take revenge on the Kunlun Sect and carry on with his plot to cause chaos, the evil monk seeks help from his fellow brother who uses sorcery to shrink people.

A tangled murder mystery unfolds amid a complex love triangle. As conflicting witness accounts emerge, the truth about the victim and key suspects is revealed, leading investigators down a dark and twisty path where nothing is as it seems.

The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.

The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

Hong Kong comedy horror from 1953.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Tang Wan-tung, the son of a Southeast Asian Sultan is a student in Hong Kong. Only Uncle Mui, his guardian, knows his identity. Tang is known as "student prince". He organises an embassy variety show. Tang invites Lai Tsi-king, who has a lovely voice, to perform in it, but it ruins her chance to study music abroad. Lai’s parents want her to marry Tung Fook-si, the son of a merchant. Lai asks Tang to act for her parents, like a prince courting her. Her parents are convinced, but Tung is not fooled. Tang smuggles Lai out to perform in the embassy. Lai's performance earns her a chance to study overseas, but her parents will not support her. Tang borrows money from his father, but is refused. He pawns his father’s ring to help Lai pay the tuition. Tung takes his father's ring and sells it. Tung's father alerts the police. The rings turn out to be a pair. The police think Tang stole the diamond ring, but Mui tells the truth. Tung is arrested and Tang and Lai have a happy ending.

When the village is reportedly terrorized by a ghost of the mad woman, the superstitious great-grandfather refuses modern approach and insists to rely of witchcraft to solve the problems of the village, ensuing tragedy after tragedy.

The Story of Wong Fei-Hung, Part 4: The Death of Liang Huan is the fourth movie in Kwan Tak-Hing's Wong Fei-Hung series.