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The series consisted of two dramas carefully selected by Calasso, based on Ernest Hemingway's The Short Happy Life of Francis Macomber and Other Stories (originally published in The Fifth Column and the First Forty-Nine Stories, 1938): The Undefeated and The Killers. The first was set in the Spain of bullfighters, while the second was set in the underworld of the American provinces. The sets were completely recreated in the studios of the Rai Production Center in Naples.

A reconstruction of Napoleon Bonaparte's years after Waterloo, from his exile to St. Helena until his death under mysterious circumstances: between hopes of escape and illness, the former emperor dictates his memoirs. Directed by Vittorio Cottafavi, the film is based on a story by Roberto Mazzucco, with a screenplay by Cottafavi and Giovanni Bormioli.

When a robbery goes wrong the only survivor tries to smuggle himself across the border by hiding in a coffin. When he gets out of the coffin he finds himself locked in a morgue freezer with three dead bodies. While trying to escape the morgue and his isolation he slowly starts going mad and hallucinating. Throughout the film he is haunted or menaced by a woman who may or may not be real. Unique and strange film that gets more and more weird as it goes along.

Four masked men rob money from a stagecoach in route to a bank in Tombstone. The federal government vows to catch the culprits and recover the money. Two suspects are imprisoned - the notorious gunman Jack Bowman and a wounded bandit. The two cellmates form a partnership and the wounded man gives Bowman 3 of the 4 names of the other bandits - the outlaw Black Norton, Bailey, and Sam the sheriff. Bowman escapes and starts out after the money.