L'Heure espagnole is a one-act operatic farce written by Ravel and first premiered in 1911. The title's literal translation is "The Spanish Hour", but here the word "heure" refers more generally to "time", reminiscent of the cliché, "How They Keep Time in Spain". The work's Latin atmosphere is reinforced through Ravel's incorporation of dance music like the malagueña, the jota, and the habañera.

A collection of social media snippets created entirely through volunteer work for the LA Opera during the 2010/2011 season. Director Thomas Storesund received The Presidential Volunteer Work Award by President Barack Obama for this effort.

Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

It is love at first sight when the knight Walther von Stolzing first meets the goldsmith’s daughter, Eva. But tradition trumps love in 19th-century Nuremberg. Her father has decreed there’s only one way to win Eva’s hand in marriage, and that’s to join Nuremberg’s guild of competitive singers—and beat them all in song.

An engrossing behind-the-scenes quasi-documentary as 10 hopefuls vie for a spot on the Met's roster.

One of the reasons why Donizetti's Don Pasquale is regarded as a cornerstone of the Italian comic opera tradition is because its characters are no mere commedia dell’arte stereotypes, but complex, vulnerable human beings. This is brought to the fore in Mariame Clément's sensitive and perceptive production, which was hailed by the Financial Times as ‘a Glyndebourne classic’. Acclaimed buffo baritone Alessandro Corbelli sings the title role ‘with just the right degree of lugubriousness’, while Danielle de Niese, one of today's most sought-after sopranos, is an ‘engaging’ and ‘irresistible’ Norina (The Telegraph). Bel canto specialist Enrique Mazzola conducts with flair and panache. Filmed in High Definition and recorded in true Surround Sound.