In the revolutionary year of 1968, Stane is an active rebel student. Mojca is a freshman, has a boyfriend named Vid, whom she met at the carnival party. There she also met her later husband Stane. Vid leaves for military service, while Stane successfully avoids it. During the glorification of this event, Mojca and Stane come together intimately. Upon his return from the army, Vid discovers this love triangle. Stane and Mojca get married. The death of the child and the awareness that Stane is cheating on her, leads Mojca to divorce.

War orphans rebel against teachers and authority figures in their reform school in this somber social drama. Danny is a teen punk who organizes a breakout, only to become a victim of the code of toughness by which he lives.

After being away for four years, Rok Osterberg returns to his home town to investigate the murder of his younger brother Maks. As Maks was involved in illegal business, nobody seems to care about his death. The only person willing to help is a family friend, Inspector Kramer. Back home, Osterberg must face people from his past.

Due to misunderstanding and hard life, a man divorces his wife and leaves the city. He comes to a new environment, meeting new people and new wife. Crucified between two worlds, he does everything to bring her two sons on the right track, and getting on with his own life. Lost in that space, powerless to change things significantly, he commits murder.

A story of fragility, sexuality, monstrosities and geographical confusions. Everything, everywhere is the slogan of the nineties, a confusion of bodies, concepts and strategies, a kind of out of joint situation for the subject. And we find ourselves in all the media, in all the bodies in all the possible spaces at ones, but this deadly dance is not innocent. The video consists of the main part in which wives of the so-called totalitarian leaders as of the Rumanian dictator Cauceuscu (Elena) and of the former Serbian leader Slobodan Milosevic (Mirjana Milosevic) are forced to dance. Focused on the portrait of Mirjana Milosevic (The story of Mirjana M.) a kitsch melodramatic Balkan saga of power, drama, pop-folk elements and evil/demons is constructed. The apathy of feelings is caught in the dramatic tango that is slowed down for the camera eye.

Three mutually intertwined stories from the present time are reflecting, complementing or contradicting one another. Throughout the film, the naked parts of a wounded humaneness are shown with a gentle irony. Baker Blaž is driven mad by alcohol and monsters of the hot summer days.

A partisan battalion falls into enemy trap more than once, which makes them suspect it's about treason. Their commissar and commander move the unit in a remote settlement in order to discover the enemy agent. This draws a lot of suspicion and distrust within the unit, and finally it was the head of the battalion who was charged as guilty, and executed. However, was he the real intruder? The commissar and the commander take the battalion to a new battle without definitive knowledge of the whole present situation.

A bald-headed professor Rozina, with the help of his brother and female assistant, for many years tests all possible chemical compounds and solutions that could accelerate the growth of hair cells. Meanwhile, in the far galactic kingdom, at the edge of the Andromeda nebulae, King Alfred caught his son smoking cigarettes. A single poof of that substance can be fatal, since gasified tobacco causes anti-evolution process in the population of this kingdom. Fortunately, the inhaled dose was so small that the prince devolves only to the level of a bull. As a punishment, father King sends him to Earth, which is famous for the worst grass in the galaxy, so he could socialize well and come to his senses. Grizel supposed to seven long years, to come to his senses and to socialize better. Coincidentally or not, the prince-bull finds himself in the laboratory of professor Rozina, where he becomes the subject of professor's research. And here the story of evolution and anti-evolution interweave.

A criminalist explores the background of a business in which the authorities, with the help of an influential corporation want to evict and demolish part of the city and build a new complex there. The film is about the will and power of the individual; the fight against institutions, the individual's engagement, and the decisions made behind the scenes.

A young soldier enters a conflict with his superiors and because he does not get the exit for the May Day holidays, he decides to escape. The escape of the weapon is a serious offense, and because there are no routes back to the barracks, the fate of the violence that leads to a bloody bribe begins to unfold. The story goes back to the time of the Chernobyl nuclear catastrophe.

The film scores particularly as a psychological study of a student dropout. It focuses on Pavle Komel, a young man who shuns even the most elementary relationship with previously close friends and acquaintances. A final attempt to find himself via a return to his childhood roots in a rural area, followed by a brief contact with his estranged father, prove fruitless: in the end Pavle decides to quit his studies altogether at the university.