Gute Zeiten, schlechte Zeiten is a long-running German television soap opera, first broadcast on RTL in 1992. The programme concerns the lives of a fictional neighborhood in Germany's capital city Berlin. Over the years the soap opera tends to have an overhaul of young people in their late teens and early twenties; targeting a young viewership.

No synopsis available yet.

No synopsis available yet.

In a desperate bid to regain his fortune, the impoverished Elector of the Palatinate does everything in his power to arrange a marriage between his eldest daughter, Liselotte, and a wealthy nobleman—but to no avail, for with her tomboyish manner, the young woman sends all her suitors running for the hills.

A tree, a heart, and Herbert who is still thinking of 1961. On those hot summer days, 17-year-old Herbert was madly in love with Regina. He kissed her under this tree and carved a heart into it. A day later, she left him. After 55 years, Herbert wants to know why she did that. He invites her to his garden under false pretenses.

10-year-old Danny can’t believe how naive and dumb Little Red Riding Hood from Grimm’s fairy tale is. Determined to save the girl and her grandmother from the evil wolf, he decides to travel through time and change history. But Little Red Riding Hood is not stupid at all. And she certainly doesn’t need to be saved …

The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...

No synopsis available yet.