The film "Chiranjeev Mujib" is based on the "unfinished autobiography" of Father of the Nation Bangabandhu Sheikh Mujibur Rahman, setting the stage for Sheikh Mujib to become the leader of the people from 1949 to 1952 and his role in the great language movement.

Dhaka Dream is a tale of convergence towards a city, named Dhaka, where a bunch of outlying people gather different experiences that derives from a separate journey that is collective and yet distinctively simultaneous.

Shirja Mia is grave digger. He begs from village to village to get death news. Now he has only two things in his life. One is a doll which he bought for his daughter and other is a number which he has got from his ancestors. His ancestors believed that if someone could dig hundred graves he would surely be placed in heaven. But no one could ever reach the target. When shirja was young he came to a Char and got married. They had a lovely daughter named Rahela. He had to go to town for work. Rahela asked for a doll from the town. One day Shirja bought a doll, but he couldn't come back to Char due to bad weather. Next day he heard that the tidal bore had washed out the Char. Later he came back to Char. But he didn't find his daughter and wife anywhere. The Char was full of dead bodies. At that time he started digging graves. When one grave left to reach the hundredth, he falls in big crisis with a girl like his daughter. Will Shirja be able to complete one hundred graves?

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

The adventures of a visually challenged girl and her friends.

After the partition of India in 1947, Shashikanta's family, like millions of other Hindu families of East Pakistan (now Bangladesh), faced the dilemma of whether to migrate from the land in which they have been living for centuries. But Shashikanta Sengupta, an eccentric lawyer, stubbornly refuses to leave his motherland. Widower Shashikanta has two children, Minoti and Bidyut. Anuprava Devi is an affectionate old aunt who lives with the family. The family has a house in Narail, a small provincial town on the bank of the Chitra river. Some Muslim neighbors eye Shashaikanta's house. But the family refuse to migrate. Shashikanta's children Minoti and Bidyut are friends with the neighboring Muslim children- Badal, Salma and Nazma. Minoti and Badal become more than friends. The children grow up.

A young man struggles with his past and sense of justice, and a girl who brings hope enters his life. The lingering question remains—can love change him, or will his past stand in the way?

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

Religious prejudice and racial dogmatism are the curse of Mohanpur, a backwater village out of touch with progress in the contemporary world. But, as depicted in the film Brihonnola, humanity has the strength to combat and neutralist the poisonous effects of these evils on the lives of the villagers.

A Hindu man caught in the midst of the Bangladesh Liberation War of 1971 risks his life to see his sister.