The corrupt leaders of a small rural town learn that an auditor is coming from St Petersburg. Frightened, they try to put things in order. Hlesztakov, a Petersburg official, has been starving for days in his inn in the small town, having gambled away all his money and no credit. In a misunderstanding and a bit of backstabbing, the town's corrupt leaders mistake him for an auditor. The bureau chiefs are watching his every move, and the mayor's daughter is a hit. When he leaves, the whole town celebrates and expects him back for a wedding. But a letter reveals the fraud, and at the same time the real auditor arrives.

A cross-section of the relationship between the two great figures of French symbolism, Arthur Rimbaud and Paul Verlaine.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.