Oppie is a smart hardworking orphan from a low-class family. She lives with her older brother, Rangga, in a house that also serves as a shelter for orphans and abandoned children. Meanwhile, Laura is a spoiled arrogant girl, who only finds fun as her life purpose thanks to the luxurious living provided by her conglomerate. Both of them attend Bentara Budaya High School, one of the famous high schools in Jakarta, where Laura is popular as a rich girl who likes parties, while Oppie is popular because of her intelligence & scholarship. They didn't like each other yet they always crossed path.

Dilan is an ITB student who returned from Cuba in March 1997. In the midst of the heated political situation leading up to the Reformation.

The story of the love of Doyok (Doyok) and Kadir (Kadir) for the sisters Rosa (Ayu Azhari) and Ira (Kiki Fatmala). The young women’s family does not approve of their relationships, so the two men try to figure out a way to get around this. This manipulation continues as Rosa and Ira join their parents for a family holiday in Puncak. Doyok and Kadir show up in Puncak posing as a rich man and his son who are looking for land to purchase. In the end the orchestrations of these four lovers are found out

Following a failed suicide attempt, Kresna is followed by four ghosts who will only leave if Kresna fulfills their request.

Returning home with his friends, a soldier reunites with his wife, not knowing she's become a ghost. But her death's not the end of their love story.

Unhappy in his job and unlucky in love, Joko reunites with a childhood friend and gets the spark of hope he needs to win back his ex-girlfriend.

Ririn refused to be forced to marry Jarwo because she loved Rangga. As a result of Ririn's behavior, Jarwo set a scenario of his death, where he was still able to terrorize Ririn via magical texts and calls.

Kadir and Doyok are irritated at the behavior of their gossiping wives Yurike and Chintami. The two men work out a strategy designed to get their wives to stop gossiping. Unfortunately, their strategy boomerangs on them. Things get really crazy when Yurike’s old flame, Mamik, comes around when Kadir is out. Trying to convince Mamik that she is really married, Yurike asks Doyok to pretend to be her husband. They make a big show of going into the bedroom together. When all of this is going on, Kadir’s parents arrive for a visit from Madura and witness Doyok and Yurike go into the bedroom together. Major chaos.

Otoy and Ali remind Doyok to find a match. Doyok seeks his true love from blind dates. It is thrilling because they get stuck in difficult situations.

Yusuf and his cousin Ambar spend a wild night out just before heading out of town for a relative’s wedding. When the pair passes out overnight and Ambar misses her flight, the two head off on a three-day road trip. Little do they realize those three days will have a lasting impact on their lives.

Hapless office worker Alfi needs help from his pals when he unexpectedly falls for the daughter of his boss — a stern man with eyes for Alfi's mom.

When Raka gets caught in a wild police chase, he agrees to help a fugitive escape—on the condition that the culprit repents for his mistakes.

A village being terrorized by a demon. This terror was caused by residents who performed pesugihan (ritual to get rich). The head of the hamlet and other residents tried to get rid of this terror.

A comedy film by all Srimulat players that contains two different stories. Asmuni who seduces Tarsan's wife. Dracula who disturbs the peace of the village.

A joke from Bagito (Unang, Didin and Miing). Three friends who live in one boarding house are invited by Monica (Dian Nitami) one day so they can pass through a road that is restricted by the rule that there must be more than three passengers (Three in One). They become friends. So the first joke is their awkwardness living in Monica's luxurious house. Monica's boyfriend, Robert (Ade Faizal), is jealous and steals Monica's expensive crystal, and reports the police that the thieves are Unang, Didin and Miing. So the three friends were sent to prison, then with jokes prank Robert until it is discovered that he is the thief.

Civil servants Adimas and Adelia feel disturbed in building a romantic relationship because their house is still under construction and have to live with their in-laws first. Turns out, Adimas and Adelia discovered a lot of awkward things bothering their household.

The story of youngsers led by Ayus (Ayus Sabyan) to build and develop a gambus musical group called Sabyan. Many interesting stories behind their struggle to reach a dream. They start to get famous thanks to simple video uploads on Youtube. Sabyan starts to have fans. There are even fanatical fans like Ndut Kece (Meni Agus Nori) who are always present wherever Sabyan is. Also Bilal (Chandra Wahyu Aji) who has physical disability and is only able to see Sabyan in cyberspace.

Kasino and Indro work at their uncle’s chicken farm. They are jealous of Dono, son of the uncle who studied in America, and returns with an American girlfriend, Madonna. But Dono is already arranged to marry Ayu Sukoco by his parents. The comedy is played out in the chicken farm, Madonna’s awkwardness in a village environment, Dono running away with his girlfriend because his parents disapprove of them, an auto repair shop, and a dream about entering Indian territory.

Dono, Kasino, and Indro returned to action in the midst of the hustle and bustle of Jakarta. They once again acted as personnels of a private institution named CHIIPS.

Behind the Scenes of Dilan (Di Balik Layar Dilan) is an approximately 75-minute observational documentary that captures Ariel NOAH’s journey as he is entrusted with the role of the adult Dilan—a decision that immediately sparked public debate. Amidst the commentary, expectations, and the weight of nostalgia attached to the figure of Dilan, the film goes beyond simply observing the acting process; it dissects how a fictional character transforms into a collective memory contested by many. From Bandung as the birthplace of the myth, through intimate reading rooms, to the final day of shooting, the documentary follows Ariel's transformation as a human being, a public figure, and a new vessel for an icon. Ultimately, the film poses one profound question: when a myth changes bodies, who is truly being tested—the actor, the character, or the audience's own memory?