Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."

A young man drowns his sorrows in strong drink when jilted by his girl. His drunkenness gets him thrown in jail, where he falls in love with the jailer's daughter. When released, the young man tries everything to get back into the jail - though when he is mistaken for an anarchist bomber, he finds himself facing not just jail, but execution.