Paddington travels to Peru to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown Family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey through the Amazon rainforest and up to the mountain peaks of Peru.

The Good Girls Club is a drama series that follows the capital's night, where sensuality and sex mix with politics, security, business and glamour, and which will accompany the story of 3 characters: the security guard, the owner and the new girl.

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

In the middle of the 2008 global financial crisis, Vanda finds herself alone and broke, with two children to raise. She embarks on a string of bank heists using a blonde wig and a toy gun and, in the process, becomes a folk hero.

Fiction feature film about the Douro, its people, stories and suffering. The relations between the lords of the land and those who work it.

A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.

The fearless race of the 1920's Portuguese aviation pioneers to cross the South Atlantic Ocean through aerial navigation, became an epic story of the modern age argonauts. In order to reach the stars - sailing is necessary- navigandum est.

A study about memory, an example of obsession or a prison in itself. Rodrigo chooses to submerge himself in a memory, regardless of what got him there or what might happen. Within this dream Rodrigo is happy. When confronted by the memory itself we are left with a question, is this a cry of victory, or the acclamation of defeat?

No synopsis available yet.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

No synopsis available yet.

At an abandoned chapel a teenager gives herself to a boy, unsuspecting of what's lurking in the shadows.

Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!

No synopsis available yet.

One summer night, a teenage girl sneaks out of her house to meet a boy at a party. However, when she finds him, he is strange and distant. That same night and at that same party, a boy is intercepted by an unknown girl, who claims to know him.

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.

A historical documentary and filmic poem that interprets the story of José Francisco Pereira, an enslaved man who was tried by the Lisbon Inquisition for sorcery and sodomy. An adaptation of Pereira’s trial is interwoven with passages from Saint Peter Damian’s passionate 11th-century condemnation of sodomy as an unrepeatable sin in Letter 31 (also known as The Book of Gomorrah), and Walter Benjamin’s iconic elucidations on historicism and progress in Theses on the Philosophy of History. The film revisits the morally and legally charged figure of the sodomite as a violent historical construction and expression of ecclesiastical, institutional, and colonial patriarchy.

Idling afternoons, drugs, heartbreaks, psychedelic moods immersed in music. An adrenaline rush. Lisbon as the backdrop for a drifting youth.

It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.

Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.