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Celina, a young woman dedicated to her children and her home, is going through a marital crisis when she meets Vito, a drug-addicted teenager from the neighborhood whose greatest aspiration is to play soccer on a professional team.

Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented - such as journalist Rodolfo Walsh, who was among the "disappeared" - remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country's native population, the conflict between the city and the provinces, and years of military dictatorship.

A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.

The Colonel of the Extermineitors has discovered that McClain (McClain Randolph), old enemy of the organization, crime has left to live quietly in Iguazu Falls and wants working for him. That's how you develop a plan for Guillermo (Francella) perform McClain recruiting mission. The Colonel knows that William has a twin brother who never met and convinces him that the former offender is his lost brother ... Installed in Niagara, evading the thief who wants to kill Nico, an orphan who is in charge of William, MacClain convince that he is his twin brother, getting together to Buenos Aires to join the group of the Extermineitors.

A young doctor recently received must face the difficulties of his profession in a public hospital, proposing to make true the axiom learned in the faculty "you can not always be cured, but you must know how to care."