The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

A beautiful, pure-hearted young woman, Maleficent has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. She rises to be the land's fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her heart into stone. Bent on revenge, Maleficent faces an epic battle with the invading King's successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and to Maleficent's true happiness as well.

A secret, high-technology international agency called SHADO defends Earth from alien invaders.

The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series using live actors as opposed to electronic marionettes, and also his second to be firmly set in contemporary times. It was also the only Gerry Anderson produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor pulled out, forcing its cancellation. The Protectors first aired in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long - making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn as Harry Rule, Nyree Dawn Porter as the Contessa Caroline di Contini, and Tony Anholt as Paul Buchet. Episodes often featured prominent guest actors.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

An anthology series produced by Thames Television, comprised of short mystery, suspense or crime adaptations featuring, as the title suggests, detectives who were literary contemporaries of Arthur Conan Doyle's Sherlock Holmes.

World War II drama about covert organisation Lifeline helping allied airmen escape after being shot down in occupied Europe, working with the Resistance and hiding from the Gestapo.

A short-lived anthology television series from Hammer Studios. Though similar in format to the 1980 series Hammer House of Horror, the Mystery and Suspense series had feature-length episodes, usually running around 70 minutes without commercials. Co-produced by Hammer Studios with 20th Century Fox Television, it is known in the United States as Fox Mystery Theater. Unlike 1980's Hammer House of Horror, all episodes feature American actors as either the leads or in key roles. It first broadcast in the UK on ITV in 1984, though was not simulcast and was shown in different timeslots throughout the various regions.

Orson Welles’ Great Mysteries is a British television anthology series produced by Anglia Television for the ITV network and broadcast between 1973 and 1974. The series presents standalone adaptations of classic mystery, crime, and supernatural stories drawn from literary sources including Dickens, Conan Doyle, Wilkie Collins, Balzac, Maugham, O. Henry, and others. Each episode is framed by original introductory and closing sequences performed by Orson Welles, who serves as the series’ host and sole recurring on-screen presence. These segments, written and directed by Welles (uncredited), function as stylized narrative framing devices rather than dramatic participation in the stories themselves. The dramatic content of each episode is performed by separate casts and directors, with no continuing characters or serialized narrative, establishing the series as a unified television anthology rather than a collection of standalone films.

Follow the swashbuckling exploits of Simon Templar, a modern-day Robin Hood of sorts.

The Famous Five is a British television series based on the children's books of the same name by Enid Blyton. It was broadcast on ITV over two series in 1978 and 1979. It was produced by Southern Television in 26 half-hour episodes.

A.D. is a 1985 television drama miniseries created and written by Vincenzo Labella and Anthony Burgess, based on Burgess' historical novel The Kingdom of the Wicked. The five-part serial is considered the third and final part of a trilogy, preceded by Moses the Lawgiver (1974) and Jesus of Nazareth (1977). Set just after Jesus' Crucifixion, the lives and adventures of His disciples are explored, and events in Rome during the reigns of Emperors Tiberius, Caligula, Claudius and Nero.

An anthology series adapted from plays and short stories by A.E Coppard and H.E. Bates, depicting English country life and rural romance at the turn of the 20th-century. It presents unsentimental stories of human relationships and raw emotions – heartfelt passions, crippling frustrations, unspoken love and destructive jealousy.

The Edwardians is an eight-part miniseries broadcast in 1972–73. An anthology, each 90-minute episode explores influential figure(s) of the Edwardian era: Charles Rolls and Henry Royce; Horatio Bottomley; E. Nesbit; Sir Arthur Conan Doyle; Robert Baden-Powell; Marie Lloyd; Daisy Greville, Countess of Warwick; and David Lloyd George.

A millionaire past his prime and his young wife arrive in Kenya circa 1940 to find that the other affluent British expatriates are living large as the homefront gears up for war. They are busy swapping partners, doing drugs, and attending lavish parties and horse races. She begins a torrid affair with one of the bon vivants, and her husband finds out and confronts them. The husband and wife decide to break up peacefully, but the bon vivant is murdered and all the evidence points to the husband.

Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.

In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

This is the fact-based story of an aristocratic woman who defies Victorian society to reform hospital sanitation and to define the nursing profession as it is known today. After volunteering to travel to Scutari to care for the wounded soldiers, who are victims of the Crimean war, she finds herself very unwelcome and faces great opposition for her new way of thinking. However through her selfless acts of caring, she quickly becomes known as 'The Lady with the Lamp', the caring nurse whose shadow soldiers kiss.

During one of his robberies, a highwayman with a heart of gold falls in love with an aristocratic lady. Now, he is forced to choose between his true love or his true cause.

Arnie Cole and his wife Maud are an odd couple, having entered into the state of matrimony for purely practical reasons. However, their marriage of convenience gives way to genuine partnership as Maud becomes caught up in Arnie's ambitions to start his own film production company.