After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

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Helen Gray, the daughter of a hard working carpenter, receives the attention of her employer, much against her father's will. On her birthday, Mr. Adams invites her to dine with him and presents her with a handsome bracelet. That night, on Helen's return home, at twelve o'clock, her father, who has waited up for her, upbraids her.

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In the home of the stalwart young son and his mother, the girl rescued from the sea grows strong again after her fearful exposure. Her attractiveness, so different from that of the fisher maidens, has a telling effect on the young man. He asks her, at length, to become his bride, and she accepts. But a few days before the wedding the affianced bride disappears, sailing away with a strange man from the city, who has suddenly appeared. Thinking that his sweetheart had deserted him for another, the fisherman is heartbroken for a time, but gradually the keen edge of his sorrow wears away, and he succumbs to the attractions of another girl, one who had recently come to the village with her father, and who had lived together and alone at the end of the town.

After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.

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Drama written by the film's star Linda Arvidson, under her married name Linda Griffith, was her both her final screenplay and film appearance.

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The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

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The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

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On his way to visit his fiancée, the young man saw her on the front steps in earnest conversation with a stranger. The stranger took the girl's hand, mounted his horse, and rode away. Instead of waiting for an explanation, the girl's sweetheart angrily demanded one. Hurt by his attitude, she refused to give it.

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A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.

Hi Jenkins, the crankiest farmer in Dillville, gets the whole village down on him, including the spinster whom he wishes to marry. After losing heavily at poker in the local hotel, he leaves for New York to see the sights and forget his troubles. A well-known actor sees him pass the club window, and is seized with a fancy to impersonate the grotesque old fellow. An "accidental meeting" is arranged, and the actor studies his original. He makes up, and goes to Jenkins' home town, where his agreeable personality soon turns the popular mind in Hi's favor. He wins at poker. The spinster smiles upon him. And when Jenkins returns, having received a tip from the actor, that if he is silent all will be well, he finds himself the best-liked man in the village. His grouchy disposition never comes back. And he marries the lady of his choice.

Sonia Smirnov, a Paris opera singer known as "The Black Butterfly", starts an affair with young Alan Hall. Hall, however, is still pining over his previous lover, a young peasant girl.

Mr. and Mrs. Gladwin, a wealthy, childless couple, make the mistake of lavishing upon a dog all the affection and care which should have gone to some forlorn human being. The dog is not happy in his unnatural surroundings, and on the first opportunity, he runs away to the home of Mrs. Smith, the Gladwin's washerwoman, where he is in his element frolicking with Bobbie Smith's dog. When the Gladwins find him there, they see their error. They take Mrs. Smith and her boy home to live in their beautiful house, and the two dogs are given a kennel in the yard.