Blue Heelers was one of Australia's longest running weekly television drama series. Blue Heelers is a police drama series set in the fictional country town of Mount Thomas. Under the watchful eye of Tom Croydon (John Wood), the men and women of Mount Thomas Police Station fight crime, resolve disputes and tackle the social issues of the day. We watch their successes and their failures and learn to grow with them and their loved ones as the heart of the series develops.

City Homicide follows a group of detectives in the Homicide department of Melbourne's Metropolitan Police Headquarters.

An unconventional relationship in a world on the cusp of change; a star newsreader and an ambitious bisexual reporter join forces in a ruthless 1986 newsroom, as events unfold that will change their lives.

A former DEA agent forced into early retirement runs a gift shop in in the Philippines. Despite his best efforts to begin a tranquil new life, he’s pulled back into a world of dangerous people and deadly situations, either through his friends in the local police department or running into people from his old life. And the problem is: he likes it.

Dr Lucien Blake left Ballarat as a young man. But now he finds himself returning to take over not only his dead father's medical practice, but also his on-call role as the town's police surgeon, only to find change is afoot, nothing is sacred, and no one is safe.

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.

Janus is an Australian drama television series screened on the Australian Broadcasting Corporation in 1994 and 1995. Two series were produced, with a total of 26 episodes. Janus was a spin-off series from the earlier ABC-TV crime series Phoenix. Loosely based on the true story of Melbourne's Pettingill family and the Walsh Street police shootings, Janus follows the bitterly-fought prosecutions of a notorious criminal family, the Hennesseys, from the viewpoints of the family, the police and, in particular, the lawyers, prosecutors, barristers and judges involved in all aspects of the story. When the series begins, four members of the infamous Hennessey clan are acquitted of the shooting of two young policemen in a bungled bank heist. The city of Melbourne is shocked as brothers Mal and Steve, along with brother-in-law Darren Mack and friend Ken Hardy, walk free. The prosecutors, judges, magistrates and police—many modelled heavily on real-life legal figures—are determined to put the Hennessey members behind bars if they can. But corruption, legal loopholes, delays, and stretched resources combine to make the quest to jail the group far from straightforward.

Holly's Heroes is a children's drama series produced as a collaboration between the Nine Network in Australia and TVNZ in New Zealand. It was produced as a series of 26 episodes and first screened in 2005.

A wife and mother is consumed by the thought that her husband's co-worker is trying to win him away from her and their family.

The uncensored story of one of Australia's most successful bands, INXS. A story of mateship, a story of success and excess, talent and sheer bloody will, set to a pulsating soundtrack including all of INXSs greatest hits.

Horace and Tina is an Australian children's television series that first screened on Network Ten in 2001. The series was produced by Jonathan M. Shiff Productions. The series mixes animatronic characters with live action drama.

Sam is a gifted young dancer whose world spirals after an unexpected, life-changing event. ​Sam walks away from dancing and ballet, ​but the art form is in her blood, and she can’t resist the temptation to return. ​Life eventually leads Sam back to her old dance school – but not as a dancer. An​ old rival, a long-time crush, and her former dance teacher guide Sam back to​ what she loves most, but ultimately, it’s her own emotions and fears that she must confront to reignite her deep passion for dance.

In 1979, a delivery truck makes its way up a lonely southern California highway in a storm, bound for the San Diego Zoo with a deadly tropical rattlesnake as cargo. When the truck suffers a blowout, the driver loses control and hits a tree, shattering the snake's aquarium in the back and the window separating the snake from the driver. The snake slithers into the front of the truck, kills the driver with its bite and then moves off into the forest. Flash forward to 1999. The small southern California town of San Vicente has grown from 6,000 to 30,000, and the rattler, which escaped nearby years ago, has bred. There are now 25,000 of these hybrid rattlesnakes, and they are slowly making their way downhill into the town, attracted by the movement of the blasting as the town paves its way toward progress. Progress, in this case, brings terror, in this tale originally penned by John Carpenter.

Marcus Graham plays Josh Jarman, a struggling playwright who has written a long, serious play about doomed love, failed relationships and the overall hurt and heartache of falling in love. He is extremely proud of it, and takes it to various producers around the city, hoping to find one that will produce his play.

Darak is an aging Sword Master - Juda, his brilliant apprentice son. Juda recounts the events that lead to the destruction of their relationship and finally the ultimate challenge - a death duel. In a world lost in time, the metal of loyalty, honour and family are tested as the tragedy is played out.

The Surrogate.

In a time of misery and fear two enemies come together to prevent an apocalypse conspired by their leaders. 40 years of war between the Federated Republics and the New Territories Union has taken its toll. The cities are overcrowded, farming land is riddled with unexploded mines -- and still there is no hope of peace. In this hostile, decaying world of the future on thing remains constant for Lieutenant Leo Megaw; his love for his pregnant wife. Her access to classified information makes her an increasing liability for the government. When she's ambushed, Leo is forced into exile. As a border patrolman on the isolated outpost of Zone 39, ordered to kill anyone that tries to cross the border, he comes to understand that ultimate catastrophe forced upon his world by his government. The real enemy is not looming across the border but standing right behind him. Now he must reach across the border into enemy territory and form an alliance to save his world.

A university student is suddenly attacked by a tactical squad. After blacking out, he resumes consciousness to find he has somehow killed them all. As the police arrive, a girl with impressive physical skills (Shana) arrives to rescue him. She reveals that he has a computer chip in his brain and can be controlled remotely. Now, two rivals are after them for the technology.

Paul as a young boy witnessed the notorious hit man “The Snake” kill a few lowlifes and since that moment he has dedicated his life to cleaning up the streets of all evil doers. Helping Paul with contract killings is his best friend George who has been having an affair with Paul’s wife.

A hospitalized amnesiac boy, victim of an abduction gone wrong, brings police detective Mark Bryce (Friels) and nurse Rose (Picot) together. Both have 'baggage' -- she a recently widowed and somewhat demented father, George (Myles), living at home; Mark a divorce with only part-time access to his two children, plus a demanding and increasingly frustrating job. Over the next 24 hours the lives of this pair intersect as they each try to coax some memories from the boy (named 'Max' by Mark), while George struggles with his failing mental capacity and visions of his late wife and her dead first husband.