During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

A lonely school teacher is kidnapped by the mob to carry out an important hit.

The film shows the difficulties of an honest, imperiled judge and his bodyguard of four men, trying to clean up a Sicilian town. Corrupt local politicians, working hand-in-hand with the Mafia, will stop at nothing to prevent exposure of their rackets.

In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.

Orlanda, Liuccia, Milù, Blu Blu and Veronica are five women in Palermo, Sicily, each different from the other. But, along with transvestite Kim and young man Maurizio, they all share something: they're "buttane", hookers, who spend the day between the streets and home; some got children, some got problems with the pimps, some with the clients...

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Set in Sicily in the 1930's, Aurelio Grimaldi's feature debut chronicles the harsh story of twelve-year-old boy, Aclà, sold into slavery by his destitute parents to work in the underground Floristella sulfur mines. Overworked and underfed, Aclà toils from Monday to Saturday in the steamy, candle-lit labyrinths. Repeatedly beaten and abused by his "owner" and with constant threats of being raped, Aclà plots his escape to the sea...

Ivan and Chiara meet on a Sicilian island to prepare the wedding for Ivan’s brother and Chiara’s best friend. Despite the fact that Ivan is determined not to repeat the failure of his last relationship and Chiara does not want to jeopardise her marriage, the two fall in love with each other. They resolve to live their relationship for only a few days and then break it off when the wedding guests arrive on the island. But can love be controlled? Or is it love that controls us?

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

Once Don Gino discovers his son's homosexuality, he'll have to choose between family and respect.