Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.

With contributions from David Holmes, Christy Moore, Imelda May, Don Letts, BP Fallon and more, this documentary reflects on Sineád O’Connor’s influence on Irish life and people. Five months after her shocking passing, SINÉAD revisits the late singer’s tumultuous life and the film is both a deeply sad and celebratory tribute. Drawn together from RTÉ’s own expansive archive of her TV appearances and footage from around the world, it is an absorbing take on a story that many of us already know very well. However, looking back now after her death, the film pulls into sharp focus just how brave and defiant Sinéad really was.

Wiz's Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

An opera musical with nuns and a priest trying to do their jobs.

The film marks 50 years since riots erupted across Northern Ireland, widely seen as the beginning of the thirty-year conflict known as The Troubles. Mark Cousins – who left Belfast at 18 – returns to his hometown to reflect on how the place and its history have been used and occasionally abused by cinema. He traces how the legacy of division has impacted on the nation’s cinematic imagination; and, in a city that once had one of the highest rates of movie-going in the UK, he scrambles around the ruins of Belfast’s once-grand cinemas.