An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.

First there was Father Brown. Now, say hello to Sister Boniface. This clever, moped-riding nun is the police's secret weapon for solving murders in this divine Father Brown spin-off.

Suzie Pickles, a star on the wane, has her whole life upended when her phone is hacked and a photo of her emerges in an extremely compromising position.

An anthology series that peers behind closed doors and exposes the private lives and secrets of the guests checking into hotel rooms around the world. Spanning a range of genres from thriller to comedy to horror, a common theme threads each episode: everybody has a dark side, and we’re all this close to being exposed. From the vast skylines of London, to the corners of Beirut, through worn-out British seaside towns, to a shady room in Eastern Europe, the audience is given an entirely new vantage point on what goes on behind the “do not disturb” signs. All nine 10-minute episodes premiered at the 2019 Cannesseries but never saw any further release.

Dropped by her label and lost in the world, a failed musician heads to her hometown for the first time in seven years. But as hard as she tries she no longer fits in to a world that has left her behind.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

In the space of 3 days, Pip has lost her boyfriend, her flat and her terrible, dehumanising job. Craving a new start, she returns home to the Brexit British countryside. Great Expectations retells the classic Dickens novel with a modern and darkly comedic female voice. It engages with questions about society, exploitation, loneliness and how women are viewed, all with a great deal of humour and heart.

In an attempt to find acceptance in purpose in an alienating post-millennial world an unhinged young woman develops a violent addiction to social media.

I Hate Suzie Too, the three-part anti-Christmas special, written by Lucy Prebble (Secret Diary of a Call Girl, The Effect, Succession) and Billie Piper (Doctor Who, Yerma, Rare Beasts), follows former child star Suzie Pickles, also played by Piper, as she attempts to rebuild her public image after losing her marriage, her agent and primary custody of her son in the wake of the photo-hacking scandal. Desperate for redemption, Suzie signs on to the chaotic reality dance competition Dance Crazee Xmas, where every performance becomes another battle for public approval.

The First World War is over. Britain claims a victory, but for the casualties of war the fight for a normal life is far from over. An unhappy reunion will force two lost souls to come to terms with the damage they've done to each other.

The Public have just played the best gig of their lives, and for the first time, someone in a suit is interested. It feels like the moment they have been waiting for, but celebrations quickly descend into chaos. Andy, the band's quiet and devoted guitarist, watches as his dream begins to dissolve around him. A chain reaction is set in motion as secrets are exposed, loyalties shift, and buried tensions explode to the surface. As the night spirals further out of control, the frontman, Ted, is pulled toward a future that could take him away for good. Andy becomes desperate to save Ted from himself and hold everything together, even as it becomes clear that some things will never be the same.