Rado, an orphan from a poor Sofia neighborhood, has been in and out of school for troubled youth for years. Although he is approaching adulthood, he is yet to finish 8th grade. He cannot reconcile his pride and sense of justice with the kind of education provided by people who are deprived of sensibility and human warmth. Rado asserts his right to freedom by frequently running away. During one of his escapes he meets the love of his life, Albena. She is a good student, and comes from a well-educated, sophisticated family. This new and unexpected connection intensifies Rado's desire for freedom and independence, and leads them both into uncharted territory.

He is well educated, charming, and gallant - a dream for each lonely lady. In reality he is a skillful swindler, who robs naive women. Cheating merchants with guilty consciences are his targets as well. This is the elusive protagonist of the movie. He constantly changes his name, stages his own death, and travels from town to town. His exploits are myriad and his life is an endless adventure. Yet, he remains an amiable swindler, an unrealized actor, whose only goal is make his life more interesting.

An antifascist resister escapes from a train transporting him to his execution, evades capture with the help of a sympathetic peasant and soldier, and eventually joins a partisan unit despite numerous obstacles.

Stoev, a talented architect is working in Rio de Janeiro. All along the design stages, Stoev's understanding has been that he would be going together with his assistant architect. However, the company chief secretly decides to change the terms and go instead of the assistant, threatening Stoev to cancel the whole deal if he doesn't comply. Stoev is left with the dilemma to betray a colleague and friend, or to miss the greatest opportunity in his career. When Stoev is about to choose the former, a mysterious dead body appears in his life.

In this routine World War II drama by Bulgarian director Doutcho Mundrov, a group of doomed POWs work together to keep their own dignity and ethical standards high. As the prisoners interact against a background of strife, imprisonment, and references to a rising Communist presence, they come to discover that there is an outside informer passing on information to the enemy. Although they face impending execution, they decide to take steps to end the informer's career.