Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.

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Oona (20-something) runs a small coffee shop in the heart of hipsteresque Kallio district in Helsinki. Oona’s is not really the classic entrepreneur type: she’s often late to work and throws out customers she dislikes. She’s also constantly in a state of existential crisis over what she should become and whether she’s a somebody or just a nobody. Oona’s best friend is Arttu, a 25 y.o. gay artist-dj-creator-whatever. Together they hate, love, party and cry and try to become adults.

Police work, boxing and family life in Lapland! Maria Pudas (Saara Kotkaniemi), a former boxing world champion, investigates crimes with her partner Samu Pajala (Karim Rapatti) in Lapland. The life of Maria's cordial and slightly chaotic family (Iina Kuustonen, Eero Saarinen, Katariina Kaitue and Heikki Ranta) changes when Maria's father Esko has a seizure and it is revealed that he has debts of 500,000 euros. In order to save her family, Maria decides to return to the ring once more, and to resolve the situation, only victory matters.

Invisible Heroes tells the heroic tale of young Finnish diplomats in Chile during 1973’s infamous military coup. Finnish diplomats Tapani Brotherus and Ilkka Jaamala along with Tapani’s wife Lysa Brotherus helped over 2000 left-wing Chileans escape the military junta’s persecution. The Finns acted without official authorization while Swedish ambassador Harald Edelstam was the most visible defendant of human rights with the backing of Sweden’s Prime Minister, Olof Palme.

A private detective engages in a sexually-charged relationship with a real estate broker.

The life of Juulia, a Finnish parliamentarian, is suddenly turned upside down by the discovery of the betrayal by her husband Matias, a Protestant pastor, with the young Enni. After an initial moment of anger and desperation, Juulia realizes that she cannot leave him and she understands that sometimes it is possible to sacrifice a part of one's individual happiness for the good of the people you love. For this reason she suggests to Matias that they open their relationship, a choice that will lead her to meet Miska, a young non-binary, who is also her girlfriend, and to experiment with polyamory naturally and spontaneously, with all the consequences of the case, positive and negative.

Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.

Sari is a young, beautiful and intelligent girl who is busy studying at university,but she suffers from epilepsy and has to face death on a daily basis. Mikko is hersomewhat older university teacher, who is tired of life, and who one day decides toabandon his wife, children and idea of a perfect life. Both characters have been tooscared to live their lives to the brim for too long. But they meet, and in spite oftheir prejudices and reserved natures, they manage to create a dramatic and movingmodern romance which confronts numerous taboos. While the imagery explores theboundary between life and death in a most poetic way, the odd couple's romance istold with both bite and humour. Society - be it in the shape of angry ex-wives,overprotective parents, conservative aunts or embittered colleagues - is doing whatit can to put a spanner in the works."

As a patient, a captive in her own inner life, Magdaleena succesfully resists her psychiatrist. The confrontation, filmed in split screen, is less an actual case study than a metaphorical story, based on the filmmaker's personal experience of being looked at as the 'other' because they lives and performs outside the binary gender norm.

Eevi works in a beauty parlor, leading a humdrum life in the suburbs of Helsinki with his husband Kari, a wannabe rocker. After the jackpot, the couple agrees to carry on with their lives as before, without telling anyone about the stroke of luck. But the money is burning holes in their pockets and that’s hard to hide. Their opinions about themselves and their relationship are put to the test. Everyone seems now to have a strange attitude towards them – although they try to pretend to be the same people as before. Do the millions bring happiness after all?

Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?

An adult love story – as wistful as a Finnish tango.

The youth working group will produce a short film, from scriptwriting to post-production, during the summer and August. They will be introduced to the different aspects of filmmaking and will be assisted by a mentor and a mentor philosopher. The work will be carried out in the Helsinki metropolitan area, and the production headquarters will be at the Hapessa Youth Activity Center in Sörnäinen.

Aino, a pilot intern in her small plane, is assigned on a mission to locate a mysterious lost space probe that has fallen down to earth near the arctic circle. Events make an absurd, surreal, maybe a dadaist turn after which to reach her objectives, Aino and her peers are obliged to search for the answer to the mysteries of the modern human condition. Thus follows a satirical, antimodernist continuum of monologues, mixed-media footage and introductions of modern subjectivity. The film is a flight through the darker sides of fossil-fueled European rationalism, shedding light on techno-capitalist-individualist age of modern alienation, hauntological nostalgies of imagined futures, the profound problematics of translating human communication, the post-human sides of Jean Sibelius – and finally – the reindeers of the north.

After the bankruptcy of their fine dining restaurant, the Eerolas are stuck in the seaside village of Nauvo with no clear plan for the future. In the shadow of the father’s depression both the mother and the teenage daughter rebel against the stagnant life, each in their own way. In the magical light of the midnight sun, new loves begin while others come to an end.

Minna is taking driving lessons. The teacher starts to behave inappropriately.

Hayflower has started school, where she learns a lot of exciting brand new things. Quiltshoe doesn’t like to stay home without a sister to play with. When Hayflower tells about an upcoming fishing trip with her class, Quiltshoe comes up with a complicated plan, so that it will be Quiltshoe attending the trip instead of Hayflower. The trip evolves into a memorable and chaotic happening,

Tempest of My Eyes is inspired by William Shakespeare’s play The Tempest. In this post-apocalyptic science fantasy, Prospero controls the dreams of other characters and their struggles on a forgotten island.