Dancin' Days is a Portuguese soap opera which began airing on SIC in June 2012.

No synopsis available yet.

Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

What side is love on? Vera and Rodrigo are absolutely passionate about each other and get married, having João as the product of their love. But, like any other marriage, their relationship has its ups and downs between intense passion and their differing life views. Vera is a up and coming lawyer and Rodrigo an agronomy engineer. She's an urban woman who doesn’t do well in a rural environment while he loves the country and bulls, not too keen on city life. To make things worse, along comes Eduardo, Vera's boss and a brilliant but vicious lawyer. He hopes to prevent any possibility of reconciliation between Vera and Rodrigo and ensure that Vera keeps full custody of their son João. He wants this because, when he was deployed in Angola as a military, Eduardo swore to Rodrigo’s father João Maria, that he’d have his revenge.

The tragic story of the many lives of Father Dinis, his dark origins and his pious works, and the different fates of all those who, trapped in a sinister web of love, hate and crime, cross paths with him through years of adventure and misfortune in the convulsed Europe of the late 18th and early 19th centuries. (A longer television version of the film of the same name, released in 2010.)

An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

A family by force... Paulo and Susana have been together for a few years now and decide to take the next step in their relationship by moving in together. But, as they're signing the deed to the house, her father, who was supposed to bring the check, ends up delivering the bad news that there is no money for the house, thus ending this young couple’s dream. However, Artur doesn’t want to come off as a bad parent, so he offers his attic to them so that they can start their life together. So, Paulo’s dream turns into an absolute nightmare, as their life as a couple is, in fact, shared with seven other people who are all very different from them and will start controlling their every move in a permanently tense environment. The Mata family, as it turns out, is all insane, the only exception being Susana. And even her will have a hard time convincing the rest of the family to accept and welcome their new member.

Urban series that takes place between the Beach of the Shells and the new School of Arts that is being born in the palace of the Barahona family. Against the background of the mythical line of Cascais, this series has a plot full of strong emotions. Each episode combines different lines of stories that cross each other: the freshness of the summer novels, the rebelliousness of youth, the adventures and peripécias lived on the beach, the fight for fame, the generational conflicts and the reunions that can happen... when least expected.

A Portuguese series, dealing with terrorism, crime, and the economical crises in Portugal.

No synopsis available yet.

We are in 1320, in the newly formed country we call Portugal. Isabel, the Holy Queen, is the wife of Dinis, the king, and mother of Afonso, the heir, both involved in a civil war that affects everyone.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Adaptation of Miguel Torga's iconic short stories. An intimate look at a rural community in the 1940s. Each chapter has its own protagonist, whose existence is untouched by modernity or the outside world. Five portraits of humble lives with enormous resistance to suffering - and a capacity for violence that, at times, proves impossible to repress.

No synopsis available yet.

In a family-run hotel near the northern coast of Portugal, several women from the same family, spanning different generations, live together. Their relationship, poisoned by bitterness, struggles to survive in the decaying hotel. The unexpected arrival of a granddaughter in this claustrophobic space provokes turmoil and rekindles latent hatreds and accumulated resentments.

No synopsis available yet.

West, end of the summer. Laura works at the pear harvesting, a family business. During the afternoon, Carol arrives at the village to spend a few vacation days with her friends. That night, when Laura catches them stealing pears from one of her father’s orchards, her friend confronts her about her true intent.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.