Bizimkiler (Ours, Our People) was a Turkish drama, represented the lives of the people shared the same neighborhood. It is one of the longest-running series in Turkish television drama history.

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Fırat, nicknamed Kafkas, is a promising young boxer who has never lost a fight. When he steps into the ring for the gold belt match, he has no idea that his life is about to end. He defeats the world champion boxer, but his opponent cannot withstand Kafkas' punches and dies. Fırat's life changes dramatically as a result of this unfortunate event. Even though Fırat wins the gold belt that night, he loses his life, his career, and his pregnant wife. Seven years later, Fırat is forced to return to the ring to fight for Güneş, who has a terminal illness inherited from his mother. Now, Fırat has only one thing on his mind: to keep his son alive. Caucasus will return to the ring for Güneş and say, "One more round."

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Sidika is the story of Saka family and their young daughter Sidika who live in a poor neighborhood of Istanbul. Sidika was not allowed to go to high school, raised to wait her husband-to-be at her fathers home, not even allowed to leave their house on her own. But she educated herself through books, newspapers and TV. She approaches her life, half-witted older brother, oppressive and alcoholic father and traditionalist mother in a satirical and fun manner along with the current political and sociological events of Turkey and the world. She gazes the world through her window as she hungers for all the intellectual accumulation of the universe.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

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The film tells the story of a widowed woman who is experiencing problems in her relationships. Füsun is a columnist for a newspaper. She also works as a university lecturer. Füsun, who lost her husband years ago, lives with her two children. Tayfun, one of her colleagues at the newspaper, takes an interest in Füsun. A romantic connection develops between the two. However, their expectations for marriage differ. Meanwhile, Füsun meets Dr. Serdar. Serdar is a young and talented doctor. Although Füsun is attracted to Serdar, obstacles will arise between them.

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Ali who is a guitarist has some issues about him life and decides to make a road trip from Istanbul to Eastern Anatolia. While driving on road, he picked up a hitchhiker who named Leyal.

Having recently returned from compulsory military service, Emrah, who lives with his mother, refuses to socialise, and strolls alone on highways. He hides two letters in a drawer: one that he has written when he was in the army to his former lover, Sevgi, and another that he has found by the side of the dead body of a guerrilla whose life he has taken. Following the address on the letter, Emrah reaches the house of Zeynep, the guerrilla’s lover, and leaves the letter there. But this will not relieve his nightmares. With the help of his uncle, he finds a job as a night watch. Forced to spend the whole night in a small room, Emrah will go through troubled times and the nightmares will become all the worse leading into ever more confusion.

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Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.

Suzan died 25 years ago. But after seeing his son's loneliness and despair in the world, he had to return to the world at the end of these 25 years. The world he left is completely different from the world he finds. Suzan suffers from a deep adaptation to this change. After a while, he realizes that he must adopt such a fit.

No synopsis available yet.